Kate Grenville Quotes
A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
Quotes to Explore
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I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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We have been given a role to play. We have been asked to provide, to give lectures on the role of Islamic development and the way we do it here, so the people who are Muslims there would understand what the role of Islam is.
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Not to speak disparagingly of Justin Bieber or Rihanna, but they're not so hands-on with their image or their sound. They don't write the music. They have people doing things for them.
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I'm lucky in that I don't like sweet things at all. My father loved cakes to such a degree that he kept forcing them down my throat when I was little, and it put me off for life. He had terrible cholesterol, poor thing.
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We're going to lose more species, acidify the oceans more, do damage that it will take millions of years - if not longer - to unwind. Exactly how much damage will we do? How deep will those scars run? We don't know yet. But we will turn the ship.
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You've got to try to guard, make an effort to defend to the best of your ability. You have to rebound the ball, which was an area that was so critical. And they wanted you to play smart and have fun. I've kind of tried to let our people understand those are the most important things that I could possibly tell them.
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I've always enjoyed making people laugh. But in order for me to be funny, I have to get ticked off about something.
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Trees and plants always look like the people they live with, somehow.
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I had one week in the fall of 1996 where I was like, 'I'm America's greatest living teenage poet.'
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Unrequited affection is very painful for the lover, but it can have unexpected, creative consequences.
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I used to be a professional kiteboarder. People were like, 'Oh, my God, are you scared of sharks? Are you scared of injuries?' You can't be scared. If you're scared, then you can't do it. You can't train to be the best.
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I don't need somebody behind a desk to tell me what a marketing survey says is funny. I got 3 million miles and 70,000 tickets sold, telling me that I know how to make people laugh.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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It wasn't my dream to make music. It was just something I ended up doing, and no one said stop.
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Ideology, politics and journalism, which luxuriate in failure, are impotent in the face of hope and joy.
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I give people what they want in the hope that they will begin to want what I want to give them!
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The shelf life of the average trade book is somewhere between milk and yogurt.
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For a man, there's a big responsibility that comes with having a boy because men are made by their fathers. If you've got a good productive man around it's better. I have such a close relationship with my dad and that responsibility to produce a good man is something I think about.
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What we are communicates far more eloquently than anything we say or do. There are people we trust because we know their character. Whether they're eloquent or not, whether they have human-relations techniques or not, we trust them and work with them.
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One can quite understand vegetarianism. One can quite understand meat-eating. But it is difficult to understand why a person who is a flesh-eater should object to one kind of flesh, namely cow's flesh. This is an anomaly which call for explanation.
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I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.
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Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
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Life doesn't require ideals. It requires standards of action.
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A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
