Ted Danson Quotes
How much do you engage yourself in what's truly real and important in life? That's the individual question.
Quotes to Explore
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If it weren't for the Internet, WWE probably wouldn't even know my name. If I had to rely on 'Pro Wrestling Illustrated' to get my name out there, it would have been a much more difficult road.
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I could be the best looking guy in the Duma, but that's only because all the other guys are over 60.
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I would love to have been around in the Keystone Studios days.
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I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
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One of the things I like best about the Halloween show is that I change outfits about six times in the show. It is a lot of fun to play the different characters.
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I come from the working-class area of Stockholm, and I grew up with Serbian and Chilean people.
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You have to respect your audience. Without them, you're essentially standing alone, singing to yourself.
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Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.
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I'm an expert on surfing the channels, so I'm always able to find something strange. Or I watch C-Span. I can watch a conference on oceanography, or whatever, for hours.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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Starting in the third grade, my dad had me read the 'Denver Post.' I had to discuss two articles with him before dinner, and we would also watch '60 Minutes' together.
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I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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The good parts about being a public company are increased discipline, increased execution and increased transparency to make sure that you are really building a company for a hundred years.
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I don't move away from grief, rather through it.
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I love the immediacy of those old analog machines; it's really inspiring. You just set them up to play, and they go, playing the same thing until you switch the pattern.
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I know, logically, about the fact that there are fans of my work in America, but it's hard for that feeling to sink in.
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So sometime the expectation of the female by a high expectation. Because peoples think that female were weak in term of, like, of the physically and compared to the men.
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I think that literature is something that embraces a much larger experience than politics. It's an expression of what is life, of what are all the dimensions of life. But politics is one among others.
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On the whole, I now see my work as being an expression of my spiritual life and, because I look at it that way, I have a different centre. I go through the stress and pressure, but I think I'm lucky because I come from a different source point.
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God felt sorry for actors, so he gave them a place in the sun and a lot of money. All they had to sacrifice was their talent.
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Computer programming is pretty much guaranteed income. I'm good at it, and I like it.
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What we have at the moment isn't as the old liturgies used to say, 'the sure and certain hope of the resurrection of the dead,' but a vague and fuzzy optimism that somehow things may work out in the end.
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How much do you engage yourself in what's truly real and important in life? That's the individual question.
