Barry Levinson Quotes
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
Quotes to Explore
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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Art is too serious to be taken seriously.
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I'm a New Yorker. My background is in theater, so staying here, I have the opportunity to get back to that, which I would love to do.
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I think you can say anybody uses anything as a gimmick. Is Adele's not having gimmicks her gimmick? It's hard to say, isn't it? Really, I think that everybody has something that people like or that's great about them.
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Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
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I can give you a six-word formula for success: Think things through - then follow through.
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Time is the ultimate long tail. Even with a big wad of money up front, if something sells forever, the back end is what ultimately counts.
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I was well motivated. What I wanted to do was work for myself. I had twenty two jobs before I started my business at the age of twenty three and I didn't want one more boss telling me what to do. So I was motivated simply because I didn't want a boss.
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But God, who is the beginning of all things, is not to be regarded as a composite being, lest perchance there should be found to exist elements prior to the beginning itself, out of which everything is composed, whatever that be which is called composite.
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I don't care about the quality of the film as a whole, but I loved 'Salt.' I loved it!
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We're fortunate enough to live on a planet that's bathed in thousands of times more energy than we use and that's stocked with thousands of times more water, raw materials, and even food-growing potential than we need.
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I've always thought of myself as a character actor, even though I've played some leading-man roles.
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The best philosophers were not academics, but had another job, so their philosophy was not corrupted by careerism.
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See, the SAG awards caught me totally by surprise.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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How can you think and hit at the same time?
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The truth about filmmaking is you have all these ideas and you're trying to convince everybody that they should buy into this idea, but at two o'clock in the morning when you're all on your own you're going, 'Geez, I hope I know what I'm doing. I hope this idea is gonna work.'
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We should make sure that unscrupulous schools do not prey on uninformed students, leaving them with high debt and useless degrees.
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I actually work at my craft, and I actually want to be the best in my category, and I want to be a true actress. And a lot of people just want fame, and there's a huge difference.
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I am just an ordinary Catholic.
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The Lounge Lizards were relating with a tradition and it was like I was playing within a musical context. The guitar playing stood out as being different in some way. That was a real education for me.
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Hair wax is my go-to. When it comes to shampoo, I use whatever is at the rink.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
