Barry Levinson Quotes
It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right.

Quotes to Explore
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I would love to be a singer if I had the talent for it. I'd love to be a graphic designer if I had the talent for it. Those are things I've always just admired - the work of other artists.
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My secret dream has always been to be a jazz musician. I tried the saxophone for a year or two when I was younger, but unfortunately I had to face the fact that I was not really talented!
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I was quite nervous about meeting William's father, but he was very, very welcoming, very friendly, it couldn't have gone easier really for me.
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I'm actually so low maintenance when it comes to my hair. It's naturally stick-straight, but I do like to use a curling iron to give my locks some life.
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The Lebanese people voted this time for change. So they are not satisfied with the actual situation. They want to see a new government. They want to see a new vision.
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I am not saying we are categorizing Ellen White in the biblical context of a false prophet.
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I can remember in the late 1980s and early 1990s how many men with AIDS I saw everywhere in Key West. There were hospices and medical supply stores geared to people with AIDS. It seemed that every sick man who could afford it had headed for the warmth and the tranquillity and the gay-friendliness of the island.
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Well, yeah, but I probably wasn't as open about my desperation.
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I was famous from the age of 13, and after a while you become immune to it - in a good way. You look at positives and what you can do with it.
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The demand that school finances be transferred away from local school districts to the state and/or federal government has been a long-time favorite of the educationist lobbies.
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I'm blonde and tanned and normal-sized! I'm sweet, shy, funny, have a big heart and I'm nice - and I like to eat.
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It's very important to me that people who are actual chefs and other professionals in the culinary world, understand that I'm not, and have never held myself out as being, like a CIA trained chef.
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Evil is unspectacular and always human, and shares our bed and eats at our own table.
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Strange to say, the luminous world is the invisible world; the luminous world is that which we do not see. Our eyes of flesh see only night.
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When boasting ends, there dignity begins.
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For me, with music, there is no half-stepping. This is my calling.
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I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other. And living on the border between Mexico and the U.S. for so many years gave me a lot of insight into that.
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The important thing is to build up my cardiovascular system, so I have the stamina to do stunts. To me, stepping over the line, taking a chance and succeeding is the ultimate freedom, be it in rock and roll or when executing a really challenging routine.
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I did stand-up for a long time, and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve. I feel the freedom of being able to find comedy in the darkest moments because it makes it way more interesting, I think.
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We all do 'do, re, mi,' but you have got to find the other notes yourself.
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Sometimes the idea of being truly iconic has something to do with not necessarily being beautiful and thus trying harder.
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I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
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It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right.