Albert Camus Quotes
Quotes to Explore
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My parents divorced when I was seven. Because divorce is messy, for good or ill, they sent me to boarding school.
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I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
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The most striking development of the great depression of 1929 is a profound skepticism of the future of contemporary society among large sections of the American people.
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I find the whole situation of confronting an audience terrifying.
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You have to be brave when you've got a kid.
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An ounce of performance is worth pounds of promises.
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In our recovery package we put new standards of accountability and transparency, which we hope will now apply.
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Basically, my idea and explorations on fashion have not changed; however, I believe I'm going state-of-the-art on fashion.
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I was definitely nervous for the combine. You train for three months to go out there and perform for three days.
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I invented animals and birds – I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.
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But now that I'm cartooning full-time, I'm more of an observer. I'm talking to people who are experiencing these things. But it's not like being in the trenches.
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If you want to humble an empire, it makes sense to maim its cathedrals. They are symbols of its faith, and when they crumple and burn, it tells us we are not so powerful and we can't be safe.
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I felt that it was cool to even get to the point where I was able to audition on the actual 'SNL' stage. Looking back on it, I can't believe that I wasn't more nervous.
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If I was sad or afraid, I would sit in a corner and sing. If I was happy I would jump into the middle of the room and sing. It was how I expressed my emotions.
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To be here recovers from a state of soul, from a state of mind. I have the memory of the heart. I know what I received. I must have the will to give back to others.
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I had been coming to New York, pretty much once a month, to dance on Broadway. I was offered a huge Broadway show but couldn't do it because my brother was having his huge Bar Mitzvah.
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We worked lightly even in the heaviest parts.
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At least I can say that I'm honest.
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Claude rubs the back of his neck and wrinkles his nose, about to tell me he was never sad. I believe this is called bravado and is not limited to lawyers, or even men, although that combination makes it almost unavoidable.
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No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. I mean this as a principle of æsthetic, not merely historical, criticism.
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What is thy thought? There is no miracle? There is a great one, which thou hast not read, And never shalt escape. Thyself, O man, Thou art the miracle. Ay, thou thyself, Being in the world and of the world, thyself, Hast breathed in breath from Him that made the world. Thou art thy Father's copy of Himself,-- Thou art thy Father's miracle.
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I don't actually have to think very hard when I'm writing. I mean, there are times where it's a task, and you have to plug away and plug away. But then there are times when a song writes itself in 15 minutes, and you're just struggling to keep up with it.
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We have art in order not to die of life.
