Albert Camus Quotes
Quotes to Explore
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My parents divorced when I was seven. Because divorce is messy, for good or ill, they sent me to boarding school.
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I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
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The most striking development of the great depression of 1929 is a profound skepticism of the future of contemporary society among large sections of the American people.
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I find the whole situation of confronting an audience terrifying.
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You have to be brave when you've got a kid.
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An ounce of performance is worth pounds of promises.
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In our recovery package we put new standards of accountability and transparency, which we hope will now apply.
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Basically, my idea and explorations on fashion have not changed; however, I believe I'm going state-of-the-art on fashion.
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I was definitely nervous for the combine. You train for three months to go out there and perform for three days.
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I invented animals and birds – I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.
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But now that I'm cartooning full-time, I'm more of an observer. I'm talking to people who are experiencing these things. But it's not like being in the trenches.
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If you want to humble an empire, it makes sense to maim its cathedrals. They are symbols of its faith, and when they crumple and burn, it tells us we are not so powerful and we can't be safe.
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I felt that it was cool to even get to the point where I was able to audition on the actual 'SNL' stage. Looking back on it, I can't believe that I wasn't more nervous.
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If I was sad or afraid, I would sit in a corner and sing. If I was happy I would jump into the middle of the room and sing. It was how I expressed my emotions.
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To be here recovers from a state of soul, from a state of mind. I have the memory of the heart. I know what I received. I must have the will to give back to others.
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I had been coming to New York, pretty much once a month, to dance on Broadway. I was offered a huge Broadway show but couldn't do it because my brother was having his huge Bar Mitzvah.
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We worked lightly even in the heaviest parts.
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At least I can say that I'm honest.
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I really don't care what they do, to be honest with you.
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There are no adequate substitutes for father, mother, and children bound together in a loving commitment to nurture and protect. No government, no matter how well-intentioned, can take the place of the family in the scheme of things.
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Whether I want to be at practice or not, I show up every day. Whether I'm healthy or I'm sick or hurt or tired, I show up every day.
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For black America needs a politics whose first mission isn't the reinforcement of the idea of black America; and a discourse of race that isn't centrally concerned with preserving the idea of race and racial unanimity. We need something we don't yet have: a way of speaking about black poverty that doesn't falsify the reality of black advancement; a way of speaking about black advancement that doesn't distort the enduring realities of black poverty.
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We have art in order not to die of life.
