Albert Camus Quotes

The absurd is essentially a divorce. It lies in neither of the elements compared; it is born of their confrontation.

Quotes to Explore
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The products in my bathroom are pretty minimal. Issey Miyake makes great cologne, and I use everything from Zirh, especially their shave scream. I really like Mario Badesco aftershave, too. It's amazing.
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I'm not into things that feel like a sequel. There's just something magical about when something happens for the first time.
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All my life, my immediate response to emotional pain has been to make jokes. Lots of jokes.
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Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
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I love all sorts of music. I'm really into Damian Rice and Amos Lee.
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I don't like intellectuals, or, at least, people who call themselves that way, because I am under the impression that there is always something condescending in their demeanour, and I don't like condescending people.
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During exposure, interference takes place between the incident rays and those reflected by the mirror, with the formation of interference fringes half a wavelength distant from each other.
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You have to know the forces that are against you and that are trying to break you down. We talk about the problems facing the black community: the decimation of the black family; the mass incarceration of the black man; we're talking about the brutality against black people from the police. The educational system.
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It might be useful to distinguish between pleasure and joy. But maybe everybody does this very easily, all the time, and only I am confused.
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A nonfiction author has to bring a platform with him - radio, a TV show or some kind of recognizable vehicle to help launch them. And the agent is really necessary to represent all of the business interests of the author.
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I think that's created a healthy environment. The comparisons to 'ER' were maddening and there was this assumption that the two of us were looking at each other with rage and resentment, which was also not the case.
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I never lecture, not because I am shy or a bad speaker, but simply because I detest the sort of people who go to lectures and don't want to meet them.
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I read somewhere once that in the 1960s, fiction writers were troubled by the notion that life was becoming stranger and more sensational than made-up stories could ever hope to be. Our new problem - more profound, I think - is that life no longer resembles a story. Events intersect but don't progress. People interact but don't make contact.
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Conquest is the missionary of valor, and the hard impact of military virtues beats meanness out of the world.
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Working with Jon Hamm was super-fun because he's a brilliant actor and he's very kind. I would hang around sets for scenes that I wasn't even in because I wanted to watch how he worked.
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Twitter is worth it if you like tweeting. Same is true of Facebook. Or Pinterest. Nothing wrong with having a social presence.
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Many of my early Vines and collaborations were with gay people.
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The only thing that makes change possible is the idea of developing some kind of institution, because the institutions will survive individuals.
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God's love gives in such a way that it flows from a Father's heart, the well-spring of all good. The heart of the giver makes the gift dear and precious; as among ourselves we say of even a trifling gift, "It comes from a hand we love," and look not so much at the gift as at the heart.
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Man's music is seen as a means of restoring the soul, as well as confused and discordant bodily afflictions, to the harmonic proportions that it shares with the world soul of the cosmos.
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He that by harshness of nature rules his family with an iron hand is as truly a tyrant as he who misgoverns a nation.
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Art is born of humiliation.
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I figured that to be a writer I would need to have been born in the nineteenth century, be British, or have three names. So I turned my sights elsewhere . . . to acting.
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The absurd is essentially a divorce. It lies in neither of the elements compared; it is born of their confrontation.