Alfred Lord Tennyson Quotes
I falter where I firmly trod, And falling with my weight of cares Upon the great world's altar-stairs That slope thro' darkness up to God, I stretch lame hands of faith, and grope, And gather dust and chaff, and call To what I feel is Lord of all, And faintly trust the larger hope.
Quotes to Explore
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There's always going to be a part of me that worries about not looking as slim as other actresses.
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If the interview was done in the studio, Frank McGee would automatically do it. But if I went out and got it, then the interview was mine. So I was considered a pushy cookie, because I would get the interview.
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Orange blossom water would make a magical addition to your store cupboard.
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I think that that's so true for a lot of first responder families and military families. If you ask them, 'Is there anything I can do for you?', they almost always will not ask for that help.
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Truthfully, I'm pretty stuck in the '80s.
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Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
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The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
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There are, of course, all sorts of other unpleasant regimes outside the walls as well - the military dictators of Latin America and the apartheid regime of South Africa.
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I like singer-songwriters, and I find sad songs comforting rather than depressing. It makes you realise you're not alone in the world.
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I'm not afraid of werewolves or vampires or haunted hotels, I'm afraid of what real human beings to do other real human beings.
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My favorite thing about decorating is mixing different periods and styles. If you have something that's old, and you really do want to mix those styles, then you have to add something that's obviously modern with it. You can't put a kind of a mediocre thing in the middle.
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I love Mount Fuji and I think it is my love of the mountains in Japan that led me to seek other mountains around the world.
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The call for diversity is about recognizing that in order to be in the conversation come awards season, it goes back to the content that is being produced.
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The purse strings tie us to our kind.
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Idealism is based on big ideas. And, as anybody who has ever been asked 'What's the big idea?' knows, most big ideas are bad ones.
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Goethe said that the worst thing in art is technical facility accompanied by triteness. Many an artist, like God, has never needed to think twice about anything. His works are the mad scene from Giselle, on ice skates: he weeps, pulls out his hair-holding his wrists like Lifar-and tells you what Life is, all at a gliding forty miles an hour.
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The belief in a political Utopia is especially dangerous. This is possibly connected with the fact that the search for a better world, like the investigation of our environment, is (if I am correct) one of the oldest and most important of all the instincts.
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Our deepest human need is not material at all. Our deepest need is to be seen.
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If one thinks only of winning, a sordid victory will be worse than a defeat. For the most part, it becomes a squalid defeat.
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I admire Manchester United, Chelsea, Arsenal, Liverpool - these are the teams that are always there fighting.
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At home, I have a wife, fortunately, and my children are all grown, and I have many grandchildren. I spend weekends with my grandchildren; I adore them.
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Love is such that God grants us one person who we can spend the rest of our life with. It rarely happens that we don't.
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I falter where I firmly trod, And falling with my weight of cares Upon the great world's altar-stairs That slope thro' darkness up to God, I stretch lame hands of faith, and grope, And gather dust and chaff, and call To what I feel is Lord of all, And faintly trust the larger hope.
