Alfred Lord Tennyson Quotes
You must wake and call me early, call me early, mother dear; To-morrow'll be the happiest time of all the glad New Year,- Of all the glad New Year, mother, the maddest, merriest day; For I'm to be Queen o' the May, mother, I'm to be queen o' the May.
Quotes to Explore
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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What is necessary to change a person is to change his awareness of himself.
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Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy.
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More and more, cultural groups are cross-pollinating, and we're getting much more interesting art as a result.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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Everybody has a story... and a scream.
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The number of people who will not go to a show they do not want to see is unlimited.
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If there is something I would like to do as President of the General Assembly, it is to place more emphasis on the issue of education, which enables a better life for women.
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I have a strong affinity for animals.
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Opposition to abortion was one of the ways the Christian right was brought into the Republican Party by conservatives hoping to move the party further right. Now, of course, the tail is wagging the dog.
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Many of the things the slow food people honor were innovations within historical times. Somebody had to be the first European to eat a tomato.
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I prefer recording drums in the analog format, but that does not mean I would only do it that way.
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A deal is like chasing a girl. You work on it until she says, 'Yes,' for a date.
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It was also my idea that the advisory committees of the Academy should replace the legal committees of the German Reichstag, which was gradually fading into the background in the Reich.
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I've been most happy to be an advocate for the kinds of grassroots things that people are doing who care about poetry.
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Mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.
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I've been a storyteller all my life. When I was in high school, I used to amuse myself by driving through the woods at night and see how long it would be before I scared the pants off my friends - and if I could do it before I scared myself.
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I've always loved mysteries, the something there that you didn't know, and with 'Case Histories' I just decide to make that more up-front.
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The Pop art I wound up doing came to me purely from 'Mad' comics. I loved the idea of doing fun stuff. I met an art dealer who wanted to show the work - that was in January 1962 - and that was the beginning for me.
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I grew up with 'Friends' from day one and, like, 'Seinfeld' and 'Frazier,' those sorts of shows, but for sure, 'Friends' was it for our family. Like, we would watch every Thursday night at eight o'clock; I couldn't wait.
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I grew up in New York City. In elementary school, I was a charter member of the Scribble Scrabble Club, and in high school, my poems were published in an anthology of student poetry.
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'Seconds' is grounded in the reality of this restaurant environment, and I did do plenty of research, so there's that. It takes place in a town that is like a kinder, gentler fairy tale version of reality. Then it takes off into a story that is very strange, very mental.
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I think the play on words for 'Punky' Brewster has definitely played itself out.
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You must wake and call me early, call me early, mother dear; To-morrow'll be the happiest time of all the glad New Year,- Of all the glad New Year, mother, the maddest, merriest day; For I'm to be Queen o' the May, mother, I'm to be queen o' the May.
