Lauren Ambrose Quotes
On 'Six Feet Under,' I never really had much to do with the actual business, with the embalming stuff. That wasn't really my role.
Quotes to Explore
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I dropped out of the business for 8 years, and I taught English as a second language. Then I decided to go back to acting, and I got 'Mad Men'.
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In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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When you watch the sitcoms that were the big hits when I was growing up, TV was still just TV. It was allowed to just be TV. There were three channels that were competing for the whole family and you couldn't take your business elsewhere.
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We are in the business of gathering the news. We're not in the business of talking about the news.
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Realize that the game of life is the game of, to some extent, being taken advantage of by people who make a science of it. Whether they are in government or personal life or in business, they're everywhere.
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At some point, you decide to take something you really like and turn it into a business you love.
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Just watching Jack Lemmon made me want to get into this business.
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I love the medium and I love individual comics, but the business is nothing I would be proud of.
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I invited a group of students to my studio to expose them to both the creative and business sides of the fashion industry. It was fun because the group was so bright and full of curiosity. They asked really challenging questions about all aspects of the business and absorbed so much information so quickly.
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Ukrainian business must really embrace global competition. We need to understand that competition for resources and clients is not with competitors from across the street or from another city, but with millions of businesses around the world.
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Growing up in eastern Turkey, I was not really involved with the family business - sheep and cow farming, yogurt and cheese making. But I think I learned from my father the unspoken business language or instincts that go back thousands of years.
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If there's any business that instructs you in the strong hand of fate, it's show business. You can plan and plan, but it's what happens to you that really determines what your career will be like.
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I am not a celebrity. I work with celebrities, and it is very difficult. When a celebrity wears a dress, it's good for business, so brands fight for the red carpet. Me? I don't like it, because fashion becomes a job about dressing celebrities. And it's a bit boring.
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Writing blurbs for books means you have to read the book, and it cuts into the business of bookselling. So every time I get a blurb from a bookseller, I try to write a thank you note.
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During my many years in international business and public life, I have had the good fortune of sitting down for lunch with people with whom I completely disagreed, in practice and principle: Soviet communists, heads of state from various unsavory regimes, benighted religious figures, corrupt business leaders.
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In 'Power Play', Finder uses the thriller structure to make pointed observations about gender in the workplace, the corporate caste system, and the true nature of risk in the global business environment.
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Because it started as an offshoot of al Qaeda in Iraq, ISIL has long been subject to U.N. sanctions, and all countries have a legal obligation to freeze its assets and prohibit its business dealings. But countries around the world need to do more to make these sanctions work.
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Age, habits of business and experience have modified many characters.
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Creationists make it sound as though a 'theory' is something you dreamt up after being drunk all night.
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I am increasingly attracted to restricting possibility in the poem by inflicting a form upon yourself. Once you impose some formal pattern on yourself, then the poem is pushing back. I think good poems are often the result of that kind of wrestling with the form.
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I speak my mind. I'm not really afraid of things. I actually don't think that's that unusual.
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Admiration for a quality or an art can be so strong that it deters us from striving to possess it.
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On 'Six Feet Under,' I never really had much to do with the actual business, with the embalming stuff. That wasn't really my role.
