Lauren Ambrose Quotes
We played one warm-up gig at this bar that was kinda like that bar in 'The Blues Brothers' with the chicken wire. This place called The Brick House, in Housatonic. I really can't believe we're going to play for people in New York City. I'm terrified, but it's a small enough room. But it's really just supposed to be for the fun of it.

Quotes to Explore
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Not only is self-regulation largely a fantasy, but repeated scandals across multiple industries have proved that companies are fundamentally incapable of self-regulating for the greater good.
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If you look at the scientists who really make a difference, they think boldly. They're not afraid to question what they see.
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I spend all my time right now trying to combat music retail and copyright.
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Where love is, there God is also.
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Nobody should be sent indefinitely into detention; everybody should have their day in court.
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As an entrepreneur, you only fail when you give up.
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I believe the collapse of the House of Windsor is tied in with the collapse of the Church of England.
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I got a little bit lost in the writing process: like, that moment in the 'Fight Song' music video where I'm throwing the crumpled paper on the bed, that was really true life. I was filling journals with different possibilities of lyrics for the first verse. And none of them felt right.
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A movie is about human beings, about humanity.
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I never identified with anybody. I have always been very sensitive about my color, because everybody called me 'yellow gal.' I was caught in between both sides - nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.
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Kuhn was the intellectual of whom many scientists said he's 'telling it as is it is' insofar as talking about a process of 'tinkering' in terms of theory and experiment followed by radical changes. But often, what Kuhn had in mind were some very spectacular incidents in the history of the sciences that changed our way of looking at the world.
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I buy so much fake jewelry, it's funny. It's not real. I don't wear real diamonds or anything.
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You can't say what the outcome of a competition is going to be, so now I am ready to accept any result that comes my way, if I give my best shot.
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'Heroine' is about a declining and imbalanced superstar - a very brave and bold role. I wanted to test whether I could carry a role like this. I have given 200 per cent to this role. She's a very complex character, very aggressive, manipulative and bold, yet she's very fragile.
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I'm not into solos, I'm into lyrics.
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I really wanted to make 'Everest' visceral, real. One thing that amazed me when I was scouting in base camp is the volume of Everest: It's humbling. I wanted to find a way to bring that to the screen. One way was 3D.
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The physics of water is central to cooking, because food is mostly water. All steak that you cook is actually boiled on the inside.
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When we talk about music, we talk about our reaction to it. One person might say that music is so poetic, while another says it's all mathematics. Yet another might say it's about sensuality, and so on. That's all true. But music is not just one of these things. It's everything all at once.
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Everybody gets too drunk sometimes; and even if everybody didn't, I have gotten too drunk sometimes. I haven't hurt anybody. In Ireland we drink a lot. It's part of our culture. I like drinking. I don't think it's a bad thing.
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When bands come from that underground scene and go into the mainstream, people just hate it. And it blows my mind. If you're saying you don't like what pop culture is, then change it. And when someone does make an effort to change it, everyone rebels against it and hates it. You can't win. People just want that division to exist. They don't want that division to go away.
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I refuse to accept other people's ideas of happiness for me. As if there's a 'one size fits all' standard for happiness.
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When I paint, some things come out, and I don't know. Maybe it's because I have such talent as a painter.
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For several days after my first book was published, I carried it about in my pocket and took surreptitious peeps at it to make sure the ink had not faded.
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We played one warm-up gig at this bar that was kinda like that bar in 'The Blues Brothers' with the chicken wire. This place called The Brick House, in Housatonic. I really can't believe we're going to play for people in New York City. I'm terrified, but it's a small enough room. But it's really just supposed to be for the fun of it.