Ansel Adams Quotes
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.

Quotes to Explore
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I don't care much about hardware. Nintendo games are some of the best games in the world, and from a more graphical standpoint, the Wii can't do what a PS3 or 360 can do.
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Honestly, I find the analysis of dreams is one of the dullest things. I say this as a therapist kid. I find them deeply uninteresting, as a window to the soul.
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We ignore slow environmental changes unless they are crisis-driven, such as hurricanes in Florida.
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The biggest rival I had in my career was me. I couldn't control Arnold Palmer, Gary Player, Tom Watson or Lee Trevino. The only person I could control was me.
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When you're with your club team, every week you have a performance to judge. But when you're with the national team, it's a little different because you might not play for three or four months at a time. Things change constantly.
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Truth, when not sought after, rarely comes to light.
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I think that was the case here. We just wanted it to be good for everybody.
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Suppose that every prospective parent in the world stopped having children naturally, and instead produced clones of themselves. What would the world be like in another 20 or 30 years? The answer is: much like today. Cloning would only copy the genetic aspects of people who are already here.
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I like second chances. I've given people second chances. You have fall-outs with friends, and forgiveness is a great thing to have. It's not easy to forgive. I definitely don't forget, but I do forgive.
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People appreciate and follow the person who can persuade them properly. Make that person you.
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The secret of success lies in that old word, 'Drudgery,' in doing one thing long after it ceases to be amusing; and it is 'this one thing I do' that gathers me together from my chaos, that concentrates me from possibilities to powers, and turns powers into achievements.
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I introduced legislation in the Senate to prohibit President Obama's amnesty. The House of Representatives stood up and led. It took the legislation I introduced and it passed it. But the Senate Democrats stood as one uniform block and said, 'No, we will do nothing to stop amnesty.'
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We're just a real dirty band. We're raw, and we're rough. None of us are top-scale, top-line musicians. But I tell you what, you get your top-line musicians and see if they can entertain like us.
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If I wanted to make spy movies for the rest of my life, that would be one thing, but I don't want to just make spy movies.
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I have an outdoor kitchen at home in Georgia, and I try to never eat inside.
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There's always ways of motivating yourself to higher levels. Write about it, dream about it. But after that, turn it into action. Don't just dream.
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I've got no interest in football. My brother's a footballer, too, and I was dragged to the freezing pitch every week as a child. I don't see much glamour in it.
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I know it's silly, but I still think I'm 28.
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20 years on I'm not that interested in charity. I'm interested in justice. There's a difference. Africa needs justice as much as it needs charity. Equality for Africa is a big idea. It's a big expensive idea.
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The argument has been made in Congress that it is slippery slope if you allow therapeutic, what people people are calling therapeutic cloning, then you will get reproductive cloning.
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I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly.
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This is a global fight to get the right people in the right place and we're talking about people with PhDs in engineering, computer science, mathematics.
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I truly believe that the great heroes that create the history of architecture are people who take risks and write to tell about it.
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These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.