Lauren Kate Quotes
It's worth pointing out that no one faults a male protagonist for falling in love. What is it about a boy needing a girl that seems to round out his character, while a girl needing a boy can be dismissed as pathetic?
Quotes to Explore
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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My family moved from California to New Jersey in the beginning of my sophomore year of high school. I will never forget the first day in a new school, walking into the cafeteria during lunch and not knowing a single soul. I didn't feel confident enough to share a seat at just anyone's table.
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I don't want to get too philosophical, but in a sense, you're given this gift, this sort of creative force in you, and I think everyone has it, and it's completely unique to you. And you as a person have a little bit of a responsibility as its shepherd if you choose to incorporate that into your life.
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Freud was a hero. He descended to the Underworld and met there stark terrors. He carried with him his theory as a Medusa's head which turned these terrors to stone.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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You can't tag me as a regional actress.
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I am a little older and understand the nature of the business - the older you get the more your skills supposedly diminish, but I think I am getting wiser in how to use my physical skills. That's the frustrating part when you put so much heart and desire into things and feel like you are not wanted.
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People are crying up the rich and variegated plumage of the peacock, and he is himself blushing at the sight of his ugly feet.
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Hollywood would make a holocaust an animated comedy if people would pay to see it; they don't care... they just want your money.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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I have a handicap in that English is not my first language. So even though I'm a writer, I don't write anymore because it's just harder in English.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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I don't hit it as far as a lot of guys do, so I have to be in the right spot in the fairway to score, and that means driving it well. The two biggest keys for me are to make a good transition and to keep my hands ahead of the clubhead through impact. I want to feel as if my swing is two swings: one going back and another coming down.
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A man has no more character than he can command in a time of crisis.
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One of the peculiar sins of the twentieth century which we've developed to a very high level is the sin of credulity. It has been said that when human beings stop believing in God they believe in nothing. The truth is much worse: they believe in anything.
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I have been working for over 30 years and am always wondering about where I am and where I am going. It does not stop and become a fixed event of achievement.
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Well, it's taken a long time to get the Department of Homeland Security established. It's taken a long time for the Congress to decide how much it wanted to fund.
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What life means to me is to put the content of Shelley into the form of Zola. The proletarian writer is a writer with a purpose; he thinks no more of 'art for art's sake' than a man on a sinking ship thinks of painting a beautiful picture in the cabin; he thinks of getting ashore - and then there will be time enough for art.
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I cannot always write at the same time, in the same place. I work, travel and have a vigorous family life. If I'm stranded in an airport lobby - I write. If I have to wait in a doctor's office - I write. If I have a morning or evening to myself - I write.
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We infrequently contemplate the harms that await any new-born child—pain, disappointment, anxiety, grief, and death. For any given child we cannot predict what form these harms will take or how severe they will be, but we can be sure that at least some of them will occur. None of this befalls the nonexistent. Only existers suffer harm.
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You can't judge a character that you're playing, because then you're fighting against doing what the character's doing.
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It's worth pointing out that no one faults a male protagonist for falling in love. What is it about a boy needing a girl that seems to round out his character, while a girl needing a boy can be dismissed as pathetic?
