Ayn Rand Quotes
The spread of evil is the symptom of a vacuum. Whenever evil wins, it is only by default: by the moral failure of those who evade the fact that there can be no compromise on basic principles.
Quotes to Explore
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My mum wouldn't have had any time for fantasy stuff; she's more practical.
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I think where we're still a little bit behind some other countries is just our pure soccer knowledge and our savvy on the field. That takes time and generations that have watched soccer growing up, played the game growing up.
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On my best days, such as when I was a junior in high school coming off a 42-point performance and near triple-double, my dad was there to tell me I haven't arrived yet and bring me back to reality.
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I have the mentality of a winner. I first went to the Olympic Games when I was 17, three weeks after my O-levels, and I remember sitting in a dining-hall filled with the world's best athletes.
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I don't listen to the radio too much, but usually I listen to Stanley Brothers and Ralph Stanley more than I do anybody!
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People return my phone calls now, which is really interesting. I'll tell you what I've learned that's kind of bittersweet. So many doors have opened up. I've met everybody in the business. I'm fortunate people want to work with me.
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He was just trying to tease me - I knew that later - but he said he'd have to leave because it wasn't fair to have anyone in the room who was going to make fun of what he had to say. He had a good sense of humor, really.
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I kept thinking, 'this must be the coolest job - I'd like to be a professional baseball player.' They were getting paid to play a game, and what a cool lifestyle that was.
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A chicken grows up in a little less time than an ostrich. An ostrich takes a whole year. A chicken takes a few months.
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I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.
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We all understand it's a privilege just to be playing in this league.
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I don't really consider myself an impressionist.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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There has got to be more to life than being a really, really, ridiculously good actor.
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My man has to be more intelligent than I am, which is difficult to find. He should definitely be more successful than me, which is not so difficult to find. I'd be a fool to expect a better looking man than me, which is impossible to find.
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When you have an iPad and 75 books on it, it's so easy to go, 'I'm bored, I'm just going to read something else.'
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Great perils have this beauty, that they bring to light the fraternity of strangers.
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If you're gonna learn how to do something, you'd better learn to do it right.
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Yes, I've heard of the 'Mad Men' comparisons, but I like to think 'The Hour' has its own distinctive voice. Although it is set in 1956, I have tried to give it a contemporary edge, and its themes of love, passion, romance, fury, professional jealousy, and personal failure are universal, I think.
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The void created by the failure to communicate is soon filled with poison, drivel and misrepresentation.
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I feel like if you feel good about a script, and you feel confident about your ability to direct and just capture it right, it's all just, really, really in your favor there.
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I've worked with a lot of wooden actors in my day, but Pinocchio is the best.
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The spread of evil is the symptom of a vacuum. Whenever evil wins, it is only by default: by the moral failure of those who evade the fact that there can be no compromise on basic principles.
