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I' ve won awards. And they didn't make me feel bad winning them. They made me feel pretty good. But it also did not make me feel bad NOT winning the Academy Award.
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The difference between the actor and the painter is that the actor would buy somebody a knish in order to have them watch him act.
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My best advice to any young person is, if you want kids, be careful who you have them with. That's my mantra.
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When I was a younger actor, I would try to keep it serious all day. But I have found, later on, that the lighter I am about things when I'm going to do a big scene that's dramatic and takes a lot out of you, the better off I am when I come to it.
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Vanity: my favorite sin.
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After looking at Salomaybe, I don't know who the hell the real me is. I think it's closest now to the real me because for one thing, I'm used to this.
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[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.
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My movies are always being played on television, I'm very well known and all that stuff - I go all over the world, I have access to many things, many people, many places and it's wonderful. But now I'm at a point where...I thought it was time to show some of it, to show some of my feelings about things and what I preferred at the time. I prefer them still but not to the extent I did at the time.
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It turned out that time doesn't heal the wound , but in its so merciful way, blunts the edges ever so slightly.
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Everything changes with age. The parts change with age, your feelings about them change, roles that I would've wanted to play 10 years ago, I don't want to play now.
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The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work. And I didn't think about the material as much. But sometimes I've thought about the material a lot and thought I was doing the right thing, and it didn't work out.
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The fruit falls off the tree. You don't shake it off before it's ready to fall.
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I'm always on a red carpet . . . the other day I thought, this ain't bad. You can meet people on it.
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If you can identify with people, you can empathize with people and therefore you understand things.
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I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.
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I've never cared for guns. In fact, when I did 'Scent of a Woman' I had to learn how to assemble one.
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All due respect and trying to be as modest as I can be, I am a dancer. But I don't think I would be on 'Dancing with the Stars,' mainly because I would be too shy.
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Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
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You take a guy like George Clooney who goes out there to Darfur, and gets things done! That's magical. He's done a great thing.
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I'm an actor, not a star. Stars are people who live in Hollywood and have heart-shaped swimming pools.
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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Shakespeare is one of the reasons I've stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words... I do Shakespeare when I am feeling a certain way.
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In America most everybody who's Italian is half Italian. Except me. I'm all Italian. I'm mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
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You sharpen the human appetite to the point where it can split atoms with its desire; you build egos the size of cathedrals; fiber-optically connect the world to every eager impulse; grease even the dullest dreams with these dollar-green, gold-plated fantasies, until every human becomes an aspiring emperor, becomes his own God... and where can you go from there?