Al Pacino Quotes
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If you have the opportunity to meet someone as an actor, it's just great fodder for you. It's wonderful source stuff that we die for.
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It wasn't until I got older that I realized acting was something I could really do.
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My movies are always being played on television, I'm very well known and all that stuff - I go all over the world, I have access to many things, many people, many places and it's wonderful. But now I'm at a point where...I thought it was time to show some of it, to show some of my feelings about things and what I preferred at the time. I prefer them still but not to the extent I did at the time.
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I've never cared for guns. In fact, when I did 'Scent of a Woman' I had to learn how to assemble one.
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I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.
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The fruit falls off the tree. You don't shake it off before it's ready to fall.
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Vanity: my favorite sin.
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I'm always on a red carpet . . . the other day I thought, this ain't bad. You can meet people on it.
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I didn't want the book [of memoirs] out, naturally - Larry [Grobel] knew that for 20 years, 15 at least, I didn't want anything written about me. Then, you know, things happen, finally it's OK and I trust Larry. Nothing about it is salacious in any way.
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My best advice to any young person is, if you want kids, be careful who you have them with. That's my mantra.
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I found that speaking live to people, young people, about what I liked and what had been happening to me was very good for me. I was quite overtaken by success and fame. I was one of those types who responded to it in a negative way. It was not easy.
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Sometimes it's better to be with the devil u know than the angel u didn't know.
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You sharpen the human appetite to the point where it can split atoms with its desire; you build egos the size of cathedrals; fiber-optically connect the world to every eager impulse; grease even the dullest dreams with these dollar-green, gold-plated fantasies, until every human becomes an aspiring emperor, becomes his own God... and where can you go from there?
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In America most everybody who's Italian is half Italian. Except me. I'm all Italian. I'm mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
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I always had this thing, when I was younger especially, I didn't want to do movies that much. I found they took a lot out of you and they were exhausting for me in a lot of ways.
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You never open your mouth until you know what the shot is.
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When you're reading some of the great plays, when you do what I call "taking up with a writer," something happens.
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You take a guy like George Clooney who goes out there to Darfur, and gets things done! That's magical. He's done a great thing.
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It turned out that time doesn't heal the wound , but in its so merciful way, blunts the edges ever so slightly.
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If you can identify with people, you can empathize with people and therefore you understand things.
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[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.
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It's easy to fool the eye but it's hard to fool the heart.
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Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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I'm an actor, not a star. Stars are people who live in Hollywood and have heart-shaped swimming pools.