Lawrence Ferlinghetti Quotes
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The pennycandystore beyond the Elis where I firstfell in lovewith unreality
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Freedom of speech is always under attack by Fascist mentality, which exists in all parts of the world, unfortunately.
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T.S. Eliot's influence was enormous on my generation. Much more than Ezra Pound. I actually had to put T.S. Eliot books out of the house because my poetry was so influenced. Everything I wrote sounded like Eliot.
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We have to raise the consciousness; the only way poets can change the world is to raise the consciousness of the general populace.
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They were looking for a stable, but we didn't have one. In fact, we weren't very stable ourselves.
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Constantly risking absurdity and death whenever he performs above the heads of his audience, the poet, like an acrobat, climbs on rhyme to a high wire of his own making.
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We were just a one-room bookstore; we didn't have any money for lawyers.
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I don't think our Beat Generation would even be known as that, had it not been for Ginsberg. You might say he put that whole concept together. Without it, we might have been known, but only as individuals. Separate, great writers, scattered across the landscape.
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When I was a boy I was my father.
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If you're going to be a writer you should sit down and write in the morning, and keep it up all day, every day. Charles Bukowski, no matter how drunk he got the night before or no matter how hungover he was, the next morning he was at his typewriter. Every morning. Holidays, too. He'd have a bottle of whiskey with him to wake up with, and that's what he believed. That's the way you became a writer: by writing. When you weren't writing, you weren't a writer.
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I guess we all could have been put in jail for that. Do you think the statute of limitations has expired?
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You can publish a poem you think is a very important poem, and you don't hear a word from anyone. You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context.
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I greet you at the beginning of a great career.
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Paperbacks weren't considered real books in the book trade. Up till then it was just murder mysteries, potboilers, 25-cent pocket books sold in newsstands. When the New York publishers started publishing quality paperbacks, there was no place to buy them.
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I think if there's a great depression there might be some hope.
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I have a feeling I'm falling on rare occasions but most of the time I have my feet on the ground I can't help it if the ground itself is falling.
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If you would be a poet, write living newspapers. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance for bullshit.
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A lot of manuscripts that come in, you wonder by what outrageous fantasy the author believes that this should be pressed into print.
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Well, I didn't know how to draw very well back then, in the '40s and '50s.
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Poetry is a naked woman, a naked man, and the distance between them.
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These are international criminals, and the spineless Democrats are doing nothing about it.
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There won't be any changes until we have another depression like in the 1930s, which we have not approached yet in the present recession.
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I am awaiting perpetually and forever a renaissance of wonder
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I am waiting for them to prove that God is really American.