Lawrence Ferlinghetti Quotes
You can publish a poem you think is a very important poem, and you don't hear a word from anyone. You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context.
Quotes to Explore
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My daughter is my passion and my life.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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The other actresses, who are called my contemporaries, they started with a megastar. They were superstars overnight and are the same even today.
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The characters are always the focal point of a book for me, whether I'm writing or reading. I may enjoy a book that has an intriguing mystery or a good plot, but to become one of my real favorites, it has to have great characters.
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It is very important to know who you are. To make decisions. To show who you are.
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I'm happy that all my films are different from one another.
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I looked along the San Juan Islands and the coast of California, but I couldn't find the palette of green, granite, and dark blue that you can only find in Maine.
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I'll tell you, I never thought I'd ever be going into law, and certainly not the same kind of law as my dad.
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We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.
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Redheads were particularly persecuted during the European witch trials of the fifteenth, sixteenth and seventeenth centuries. The colour was associated with the devil, and the pale skin which most redheads have was thought unnatural and deathly.
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I obtained eight years of elementary education in a two-room school, where I encountered a stern but engaging teacher who awakened my intellect with instruction that would seem rigorous today in many colleges. History figured large in the curriculum, exciting for me what was to become an enduring interest.
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I don't know what I was expecting or what I was dreaming about the xx accomplishing.
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The expectation was that 'True Confessions' would be my first published book, but that didn't happen. After it was rejected by every publisher in New York and Canada, I shoved it in a closet and went on to write and publish my next three books.
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Commonsense is the realised sense of proportion.
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I don't think Christ becomes real to us until we hit a low point in our lives and realize just how much we need Him. That's why faith affects every area of your life.
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There is no way to prosperity, prosperity is the way.
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I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
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I was familiar with 'Addicted' for a long time, even prior to the movie, way before it got the greenlight. And when it finally got the greenlight, I was very happy to be a part of it.
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I've often thought that my scruples about stealing books were the only thing that stood in the way of my being a really great scholar.
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'La Vie en Rose' is just about my favorite movie. Marion Cotillard, I'm so desperately obsessed with her work.
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I moved back to Tennessee in '86 or '87. That's when I worked with the Carter Family because I really wanted to understand my roots.
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But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do.
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I'm absolutely happy with where Louis Litt is. The writers, starting with Aaron Korsh, have just made him into a human being.
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You can publish a poem you think is a very important poem, and you don't hear a word from anyone. You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context.
