Lea Salonga Quotes
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The nice thing about doing a pop opera is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of "Why is this person bursting out into song?" because the whole thing is sung.
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My singing technique is really strong and I have to thank my teachers for really instilling a sense of discipline about how to sing properly and how to maintain your voice in a run.
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I like vodka tonics and gin & tonics. I also like gimlets. I like things that have sweetness with a bit of a kick.
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The thing about Sondheim is that it does get very cerebral. You do need a faculty with words and a love for the lyrics to not just pull it off, but to have an appreciation for it.
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I have a half-brother who is very, very, very gay, many cousins, best friends who are all members of the LGBT community, and for me to not say anything would be hypocritical. There is a lot of prejudice. People think it is abnormal. No, it's just another normal.
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I pride myself in the fact that in the six months tour of Cinderella, I didn't take one show off.
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I have no inner monologue.
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All the Disney Princess films are iconic and beautiful, so to have been a part of all that was really a wonderful part of my life. It's all fabulous, too, that I have a daughter that appreciates the whole Princess thing.
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I'm interested in just about anything that's right for my voice, and that's a good fit for my personality in the part as well. 'Evita' has always been a dream part for me, but it's really, really high to sing. I'd love to do Elphaba - heck, I'd even do Glinda. For me, I'd do anything to get into 'Wicked!'
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I don't think I would've been performing this long if I didn't love it sincerely to the degree that I do. It's not enough to like it. Dilettantes like things. Professionals love things and I consider myself a professional.
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There are a lot of actors who wish there was a next play, a next musical. As an actor, I guess that's all I can wish for - the next role, the next opportunity.
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I was doing TV work, theatre work, and some film work in the Philippines when I left.
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Don't expect a pat on the back for merely doing your job, but know that you'll get one for doing it exceptionally well.
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When I was about 6, my cousin was very active in a Filipino repertory company, doing musicals and plays. Her aunt was one of the founders of the company, and she told my mom that there were these auditions for 'The King and I,' and that they needed kids. I auditioned, got in and the love affair started from there and just kept going.
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I took some voice lessons here and there as a teenager but nothing too serious. I started taking it more seriously when I was in Miss Saigon. I needed to improve my technique in order to survive doing that show as many time a week as I was doing it. It's not an easy show to sing, so I needed all the help I could get.
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I feel like if I am physically and emotionally able to be at the theater, I will be there. I don't like not being there - I don't like playing hooky. I am just one of those people who feels really, really guilty if I am not there - maybe it's part of being Catholic.
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Love your enemies... it's not always an easy tenet to live by... and I have more often than not been inclined to wish my enemies ill than well.
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I want every Filipino woman empowered with information regarding all options available to her regarding family planning.
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I was 28, and my mom was living with me. I had to decide. You have to claim it; you can't ask permission. After a gig in Singapore, she went home, I went to New York on my own, I packed her stuff in boxes and sent it home. I don't think she liked me for a while for doing that. It was something I needed to do to carve out my own space.
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In the modern operas that 'Miss Saigon' and 'Les Miz' are, nobody breaks out into song from conventional book dialogue. Everything is sung from beginning to end, including the recitative.
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I seem to have a soft spot in my heart for Australia and Australian actors. After having worked with one in 'Cinderella' and a multitude of them in 'Cats,' I've wanted the opportunity to actually perform 'down under.'
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The thing about World War II is that everyone knows about the concentration camps in Europe - in Nazi Germany and Poland and Auschwitz and the other camps - but, no one really talks about the camps that were here in the United States.
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When I'm doing a one-on-one with somebody, I have to speak in a language that that person can understand, using a vocabulary that they instantly get, and I always have to feel my way around to figure that out. It's a lot of fun, and it's also really challenging - challenging in a different way from performing.
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I just refuse to date actors. I've done that, and I don't want to do that anymore. It's just the stress of traveling and being away from each other so much.