Lea Salonga Quotes
Quotes to Explore
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Self-doubt kills talent.
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Countries like France should not be naive. We don't have a French YouTube or Amazon or Netflix.
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I played quarterback, and it was a leadership position, and even though I'm doing a solo thing now, a lot of my success is a part of assembling this team of people who are really, really talented, and their position doesn't put them out front the way mine does, but it's still a team effort.
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Focus on remedies, not faults.
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What is needed in the theater, in fact for all our art forms, is a vibrant critical tradition.
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I think social media is good for promotion, stuff like that, but people are so negative. People are too negative. If you read the comments, it's just too negative.
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I think what's fascinating is how many people are playing in politics who maybe haven't played before.
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About a year after leaving drama school or a year and a half - and I was working solidly ever since leaving drama school - I picked up 'Game of Thrones.'
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I always give importance to scripts first, and remuneration is something that comes later.
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I didn't know 'Homeland' was going to be 'Homeland.' I just did it because it was a terrific script, and they pitched me the story line, and I was like, 'Huh, that's interesting.'
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There's been quite a clear upswing in nationalist sentiments. Everyone is talking about it, in Turkey as well.
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Love is cheering and sharing and compassion and giving and receiving. Love is an action thing more than a word thing, that brings comfort or joy or relief to anyone or anything.
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I'm on Facebook anonymously. I wanted to see how people use it, what's going on there, but I personally didn't want to be on it because everybody in the world tries to get to you with scripts.
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I never met a Jesuit before I applied for the order.
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If your reader has been given a rousing opening, he will usually then sit still for at least some exposition. But be sure to follow that chunk of telling with one or more dramatized scenes. That's much more effective than being given section after section of telling.
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There was a period of time when I first moved to Nashville, like the first couple of years, that I was just simply lost. I didn't know who I was; I didn't know really what I was doing here. I was meant to be a singer, but I just felt lost. That's when I went on the search for my birth family.
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We need to tell young people that America was built by men and women of all colors and that the future of this country is dependent on the participation of all of our citizens.
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In reality I have said very little things; I didn't point out many things to Geoffrey, I trusted very much not only his understanding of what I was doing, or what I wanted to do, in that moment.
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Collaboration is something I missed at one point in The Shins. I really wanted to have that experience again, you know, not having everything rely on me. I wanted to have a partner.
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Lyrically, I think I'm frustrated with this whole process of trying to figure out what I believe about the world and life. I don't like to adopt a sort of guiding philosophy.
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When I was a boy in Salem, Mass., in the 1950s, if you wanted to buy a book, you had to take a train to Boston. And when you got there, to a bookstore, there was no such thing as a science-fiction section.
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If I can inspire some leaders, that would be great. I don't know if I want to be a leader.
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I can't be an ingenue forever, and I wouldn't want to be.
