Lea Seydoux Quotes
Quotes to Explore
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The minute I stop singing orally, I start to sing by playing Lucille.
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A lot of times, I'm singing things that are observational and am definitely including myself.
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I have been singing for the last 50 years, you know, so I deserve a break. Besides, there are talented singers around who can do justice to their work.
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What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of a composition.
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When I'm singing, it's a mixture of my innocence in the projects, my mom and dad. It's all the good and the bad, the laughs and the frowns that I went through and seen other people go through. Then you be trying to write it. Whatever's coming out, you try and make it all cool.
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What made 'American Idol' different from 'The Voice' and all these other singing competitions... 'American Idol' just gave regular old normal people like me and like Trent a chance.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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My heart is closer to acting than singing. It's always been that way.
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My daughter loves singing above all else.
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The American War of Independence is the expulsion of the intrusive elements, alien to the American essence. If American reality is the reinvention of itself, whatever is found in any way irreducible or unassimilable is not American.
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There was a certain feeling I developed as a young person for black people. Somehow they were able to get pleasure out of things that I couldn't see them enjoying. I heard them sing a lot, and I didn't hear white folks going down the cotton rows singing that much.
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When I'm singing I'm always trying to get to the highest point possible. I'd fly to the top of Buckingham Palace to sing to the queen.
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Before I won 'American Idol,' I'd never been in a professional studio at all. I'm getting more used to it. I'm really weird, though: I sing way better in a crowd of 3,000. It's easier than singing in front of 2.
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You know, I think you have to sound right singing whatever it is that you sing.
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I do pinch myself, like when shows in non-English speaking countries are sold out, and people are singing my lyrics. I don't think I'll ever lose that; I'm always appreciative every day of the support I have as an artist, because I'm not a commercial artist.
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Growing up, I was obsessed with Disney movies like 'The Little Mermaid,' 'Aladdin' and 'Beauty And The Beast.' I was always singing the songs from these movies, so to find myself in the studio with Alan Menken was an amazing experience. In fact, it was a dream come true.
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I do, too, most recently while I was singing karaoke in some weird bar.
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College football, acting, opera singing - I approached them all in the same obsessive way.
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I believe in singing to such an extent that, if I were asked to redesign the British educational system, I would start by insisting that group singing becomes a central part of the daily routine. I believe it builds character and, more than anything else, encourages a taste for cooperation with others. This seems to be about the most important thing a school could do for you.
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When you've been in the game as long as I have, you know the managers you've played for, the good ones and the bad ones. Even the good ones get fired.
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I don't like losing. I don't like to be in a losing position, and I show this a lot. I demonstrate on the pitch.
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I had this whole ritual with my mother making the bed with me inside it so I would be invisible.
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When I came to Mumbai, I only wanted to be an actor, and my approach hasn't digressed over the years. I never really hoped to be in the limelight or wanted to be a star.
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I was putting forward too much of myself when I was singing.
