Leanne Caret Quotes
A lot of folks I mentor ask me, 'How did you get there?' I tell them, you never plan on it. Do a good job and treat customers well, do the right things for the right reasons. Prepare yourself, but don't spend all your time worrying about it. Just do your job, and you'll be recognized for it.
Quotes to Explore
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I want people to get over the stigma about hemp. These seeds can't make you high, but they will make you feel good.
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If we focus on our health, including our inner health, our self-esteem, and how we look at ourselves and our confidence level, we'll tend to be healthier people anyway, we'll tend to make better choices for our lives, for our bodies, we'll always be trying to learn more, and get better as time goes on.
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I never was good at learning things. I did just enough work to pass. In my opinion it would have been wrong to do more than was just sufficient, so I worked as little as possible.
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A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
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Politics and power is a realm of relative influence.
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I do admit to being slightly in love with Christopher Walken.
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I feel like I have so many middle-aged women who look up to me.
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There is something uniquely American about the motel: It speaks to the transient nature of America itself, one enabled and encouraged by our roads and highways.
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An epic is not made by piecing together a set of heroic lays, adjusting their discrepancies and making them into a continuous narrative.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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Every now and then a man's mind is stretched by a new idea or sensation, and never shrinks back to its former dimensions.
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I'm not dark; I'm not. The main thing I consider in accepting a role is less the tone of the movie and more whether I think it's a good film, whether I like the character and whether I think I could do it. I don't think, 'Oh, I've done X amount of dark films.'
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I loved to sing in family parties, for my friends and family. That's how I discovered my talent.
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I still enjoy doing the things I've always done, like going to a monthly dance party at a club downtown.
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My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
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Life in a Chinese village is much more organised because the Chinese Communist Party has a presence even in the remotest Chinese village - a presence of the kind that no governmental or non-governmental organisation has in Indian villages.
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I love working in Canada. The ovation is great. It makes me feel like I'm the top dog.
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The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
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My face and body have been a tool for my career, and I'm very conscious of that aspect and try and keep it the best I can.
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I want 'Like Brothers' to answer young kids who ask, 'How could I possibly become a filmmaker?' This book will step that out for you.
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I don't want people to see me - I want them to see Jesus.
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I have a good friend who's a Texas girl; Texas girls are a whole different breed.
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In this respect early youth is exactly like old age; it is a time of waiting for a big trip to an unknown destination. The chief difference is that youth waits for the morning limited and age waits for the night train.
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A lot of folks I mentor ask me, 'How did you get there?' I tell them, you never plan on it. Do a good job and treat customers well, do the right things for the right reasons. Prepare yourself, but don't spend all your time worrying about it. Just do your job, and you'll be recognized for it.
