Lee Radziwill Quotes
My mother endlessly told me I was too fat, that I wasn't a patch on my sister. It wasn't much fun growing up with her and her almost irrational social climbing in that huge house of my dull stepfather Hughdie Auchincloss in Washington.
Quotes to Explore
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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Throughout my Enterprise career, I have been primarily operationally focused.
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I only saw one English-speaking person all the way across Siberia.
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I have to protect myself because people think that because you come into 25 million homes every week, they know you. I walk the line between being gracious and being rude.
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When you actually fall in love, no one sees that other person the way that you do.
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It's kind of amazing that people will travel because of a book. I admire that.
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As a mom, you do what you have to do without even thinking about it.
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Science without respect for human life is degrading to us all and reflects a hollow and deceptive philosophy, a philosophy that we as a people should never condone.
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Don't sell credits; don't sell walk-on roles... If people want to back you, they'll back you. But if you have to entice people will walk-on roles and crazy credits, you're undermining yourself.
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I never want to be anywhere else than in the rehearsal room. I mean, it's so lame to say, but it makes me supremely happy to work with people and to talk and invent and laugh.
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Faith is personal if it's to be real.
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It's enough to make a small shift within and a small action in the world. Collectively these have a huge effect.
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I was the highest-paid street performer, probably, in the history of Chicago. I was making like $800 a day.
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The challenge is how strange and different my voice sounds, so I have tried to sound like other people and tried to be something I wasn't. I have tried to be a soul singer because someone else thought that a good idea. Not because I did.
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People seem to need a likable protagonist more than ever.
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I didn't particularly like being objectified.
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As I've gotten less righteous, less pedagogic, I have become more loving of the artificiality, the art form, the imitation of life in film.
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It's still amazing, but when I was growing up, Harlem was the Mecca of black culture. I was so inspired by it, the aspirational feeling you'd get spending time there. Experiences that were really specific to that place.
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Happy trails to you, until we meet again.
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Hearts was the pinnacle of my career. After I left, it really was downhill. Hearts is the club I always associate myself with, and I'm proud to have played for them.
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In 1987 I got dartitis, a psychological condition which means you can't let your darts go properly. For a time, I wondered what the hell I was going to do if I didn't recover. But I remained positive and, thankfully, got over it. It occurred during the Swedish Open when I found I couldn't let the darts go.
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My interest in theater really began in the '70s when American realism wasn't really in favor. I really dreaded going into a play that had a toaster that worked. I just didn't want to see that.
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My parents were singularly uninterested in me. My father was too self-centered and too busy with his own practice to pay a lot of attention to me, and my mother was probably deflected more by my sister.
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My mother endlessly told me I was too fat, that I wasn't a patch on my sister. It wasn't much fun growing up with her and her almost irrational social climbing in that huge house of my dull stepfather Hughdie Auchincloss in Washington.
