Leila Janah Quotes
The amount of work that a for-profit has to do to get real money is minimal compared to the amount of work it takes a non-profit to get even a very small grant.
Quotes to Explore
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Sometimes I'd like to play the bad guy and sometimes I'd like to die in a movie.
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Inspired by Alex Haley's 'Roots,' at the age of 11 I began a handwritten Middle Passage story called 'Lawdy, Lawdy, Make Us Free.' I was raised by civil rights activists with a very strong sense of racial history and consciousness.
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The phrase 'mad as a hatter' was coined because hat makers were poisoned by the high levels of mercury used in felt processing; these workers developed a strange, uneven gait as well as strange alterations in their personalities - traits that resembled mental instability.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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You might not agree with me, but I always offer a lot of support.
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It's very interesting, the dynamics of popularity. When you do something all the time, you don't worry about whether it's trendy or not.
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Once you are a model, you do have to fly a million red-eye flights, and you do have to entertain a different client every single day.
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I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
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Obviously, I never want to make the same record twice. I want to keep moving forward. That's the real challenge, I think.
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In the future, everybody is going to be a director. Somebody's got to live a real life so we have something to make a movie about.
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I didn't know Jack Kennedy that well, but Bobby was a hero to me.
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What sane person could live in this world and not be crazy?
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I've achieved more than some people do in a lifetime, but it doesn't mean I've done it all.
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If you feel bored or uncomfortable as you're writing, ask yourself what's bothering you and write about that. Sometimes your creative energy is like water in a kinked hose, and before thoughts can flow on the topic at hand, you have to straighten the hose by attending to whatever is preoccupying you.
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Our company sells about five to six million pounds of sausage a year. We sell it retail and to restaurants. We've got all kinds of products.
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We do a lot of outbound work where we're talking about the future. As we get involved with these new products, it helps us have a platform to talk about where the future is going.
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I take my work seriously.
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Men tell me that I've saved their marriages. It costs them a fortune in shoes, but it's cheaper than a divorce. So I'm still useful, you see.
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Writing a novel is like knocking on a door that will never open. You are so desperate to get in, you will say or do anything. You feel: please take my novel.
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I've certainly had to go through trying to change the fact that I was always identified as the widow of Notorious B.I.G. You know, I'm never going to be able to get away from having been married to him, but that's not what identifies me. You know, my life isn't just about that.
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There are two sides to me. One is the writer. That's a savage person who looks at everything as a story and, you know, wants to use real life in his books. The other part is the Midwesterner, who, you know, wants to say nice things about people and be polite.
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I've always said that L.A. is the city of America's future. It is to the world what London was in the 19th century and New York in the 20th because of the growth of the Pacific Rim countries. We're the portal to the emerging world.
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I suppose that Heartland, Unknown Soldier and Pride and Joy represent not a quieter side but more of a serious side to my work, something I've been getting into recently.
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The amount of work that a for-profit has to do to get real money is minimal compared to the amount of work it takes a non-profit to get even a very small grant.
