Alan Patricof Quotes
Quotes to Explore
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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I'm no producer's kid.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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My dad was really complex, and I was raised by that. My mom is really bright - very book bright - and so those things collide... I learned that I could put all of that stuff together in the world of acting, and I could make a dollar at it.
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After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.
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There is a movement to get an international criminal court in the world, voted for by hundreds of states-but with the noticeable absence of the United States of America.
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I think Hillary Clinton is a good and effective secretary of state.
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A block chain is a series of blocks. Each block is a series of computations done by computers all over the world using serious cryptography in a way that's very hard to undo.
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Men's ideas are the most direct emanations of their material state.
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Guarding your heart and protecting your dignity are a little bit more important than clarifying the emotions of someone who's only texting you back three words. I've learned that from trying to figure out people who don't deserve to be figured out.
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If anyone was going to write the definitive account of what the 2008 election meant for women, it would be Rebecca Traister.
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None of us had any idea of how successful Downton was going to be. I thought I was signing up for another period drama that had a slightly modern feel. It had a freedom about it because it was coming out of the head of Julian Fellowes. Anything could happen and generally did.
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When we came out from the Elysee palace, there was a gigantic limousine waiting for us and four police on motorcycles. It is probably one of the few times I have experienced my fame. I thought it was so fantastic that I laughed to the point of shouting.
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To those many millions of you unfamiliar with my work, I play a caddish British doctor in practice with Mindy Kaling on her excellent sitcom 'The Mindy Project.'
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I think at first I didn't tell anyone I was writing something because I found so tedious the people who did.
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I have a particular interest in corporations that give themselves a cultural aura and are in other areas suspect. Philip Morris presents itself in New York as the lover of culture while it turns out that if you look behind the scenes, it is also a prime funder of Jesse Helms, someone who is very hostile to the arts.
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If the landscape changes, then I don't know who I am either. The landscape is a refracted autobiography. As it disappears you lose your sense of self.
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Each of them was intimately aware of the procedure for electing a pope-not only of the antiquated mechanisms, of course, but of the politicking, pressuring, deal-making, bluffing, and outright blackmail that had often accompanied the process over the centuries.
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Children refuse to compromise. Adults learn how.
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Here is how I work: when I think that a film needs to have a principal theme, I search for a melody. I have a very strange melodic gift: melodies come to me effortlessly. So I write melodies-thirty, forty, fifty-then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide. That happened one time with Jacques Demy for the duo of the twins [in Les demoiselles de Rochefort]: I went to his house in Noirmoutier to play 35 possible themes for him.
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I'd describe 'Psych' as 'Real Genius' meets 'Django Unchained.'
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I've been getting into different gospel artists; Aretha Franklin is someone I've been listening to a lot of.
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When an ecstatic is asked the question, What is it that love dares the self to do? she will answer: Love dares the self to leave itself behind, to enter into poverty.
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Google is addictive.