Alan Rickman Quotes
Quotes to Explore
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When you're doing a car chase movie, you're sitting in car waiting for places or grips or stuff for quite a while.
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Accordingly, globalization is not only something that will concern and threaten us in the future, but something that is taking place in the present and to which we must first open our eyes.
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My family is a praying family, a Christian family.
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I'd want to read the stories that I'd written, I'd want to show the drawings that I made. That was just purely natural. So I knew I wanted to go into the arts in some way and that I'd want to show that work in some way.
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I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things. If I did, I probably would choose even more different roles than I've played.
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To understand the hidden secret of the modern industrial world in which I find myself, I have to return to another world. That world is at once wartime Nice and the plantation - the sugar isles on which Europe's prosperity was built.
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The same contingencies of time and space that force a statesman or soldier to make decisions, impel the historian, though with less urgency, to make up his mind.
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People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
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People are told their rights when they're arrested. Consumers getting collection letters are entitled to the same courtesy.
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Hamas has effectively kidnapped Gaza. Instead of turning it into the Singapore of the Middle East that was promised, they have turned it into a fortress of terror.
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A Pike, in the California dialect, is a native of Missouri, Arkansas, Northern Texas, or Southern Illinois. The first emigrants that came over the plains were from Pike County, Missouri; but as the phrase, 'a Pike County man,' was altogether too long for this short life of ours, it was soon abbreviated into 'a Pike.'
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It is a kind of ego booster, the way Egypt's winning the 1973 war, in the first stages, was an uplift. But I did not find when I spoke to people that the war in Iraq was seen as the major issue in American-Arab relations.
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As artists, we're always going to like the songs we just now made over the songs we made a year ago.
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The thing about being an actor is that you're acting. It's not that big of a deal of to play someone different from yourself.
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Who am I? Not the body, because it is decaying; not the mind, because the brain will decay with the body; not the personality, nor the emotions, for these also will vanish with death.
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Don't limit your audience.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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If I don't create, I don't exist.
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I just go with the flow, I follow the yellow brick road. I don't know where it's going to lead me, but I follow it.
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The seminary of the future must relate itself to flesh-and-blood men, or it provides a framework that only talks about the people of God but never really shares life with them.
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We try to connect with the audience as much as we can. We feel the energy from the audience, and it gives us so much joy and inspiration.
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In the final analysis, true justice is not a matter of courts and law books, but of a commitment in each of us to liberty and mutual respect.
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I think about everything first. I think about the scenario: the story and the characters, what I'm trying to say and I'll think about that for a couple of days until it's all locked in and then when I get to an instrument it'll just fall out. But the song's kind of all ready there in my head.
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The audience should feel like voyeurs. Their response is absolutely crucial.
