Len Wein Quotes
Quotes to Explore
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We must do our part to end poverty in Korea so that the next generation doesn't experience what we are going through now.
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I grew up in a house full of books, and we belonged to the Country Lending Service - each month the State Library would send us a parcel of books by train.
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Offset's the animal out the group. But he ain't no bad guy.
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We confuse activity with progress, and that's always dangerous, especially in war.
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Angulo presents a difficult challenge because he's a fighter who can punch and take a great punch.
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When I grew up, my role model was my grandma because she's just the best.
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I love being a performer. It's like a hole that never closes. It's something in you that never dies.
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Bowie is a musician, but he works like a painter. Thom always thought that we should aspire to that.
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It took me quite a long time to develop a voice, and now that I have it, I am not going to be silent.
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I never feel like there's any one point to the film, to anything, to any of the movies I've made.
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He told us he was going to take crime out of the streets. He did. He took it into the damn White House.
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I've never looked at my Facebook page or my website, because I'm fundamentally an amateur.
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In my opinion it is less shameful for a king to be overcome by force of arms than by bribery.
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Our forefathers made one mistake. What they should have fought for was representation without taxation.
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Uchimura is the greatest of all time.
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While certainly no pressing threat to Gordon Lightfoot, I knew it was simply a matter of time until I was going to be a star.
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One can resist the invasion of an army but one cannot resist the invasion of ideas.
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When I listen to a song, I don't say, 'Oh my gosh, that vocal line she sang was the best thing I ever heard.' I'm thinking, 'That lyric just moves me. That lyric just said what I feel better than I could say it myself.'
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All sins tend to be addictive, and the terminal point of addiction is damnation.
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I have always had a sense of curiosity and aspiration.
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I do have a large audience overseas, and I want to continue to be an international artist.
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PICTURE OF LIGHT is luminous and genuinely transcendent.
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Modern Feminism has two distinct sides to it: an articulate political and economic side embracing demands for so-called rights; and a sentimental side which insists in an accentuation of the privileges and immunities which have grown up, not articulately or as the result of definite demands, but as the consequence of sentimental pleading in particular cases. In this way, however, a public opinion became established, finding expression in a sex favouritism in the law and even still more in its administration, in favour of women as against men.
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I've always been the audience that I wanted to reach, so I write for myself.
