Salma Hayek Quotes
'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
Quotes to Explore
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Capitalist production, therefore, develops technology, and the combining together of various processes into a social whole, only by sapping the original sources of all wealth - the soil and the labourer.
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People assume when my hair is long that I am a lot cooler than I actually am. I am not opposed to this misconception, by the way, but it is a misconception.
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You should only have so many accessories. You have to make sure you have the right ones at the right time.
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I'm always afraid of failing. I have to quiet that fear if I'm going to get up in the morning.
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I was a dancer first, which made me realize how much I loved performing.
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With my gift, I can pretty much write a song out of anything.
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I never thought I'd be in a position where people would be talking about my sexuality and saying how good I look in underwear.
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The Old Firm clubs are not easy clubs to manage and sometimes I think frustration comes in that, in the end, make you happy to be leaving.
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Bad things do happen; how I respond to them defines my character and the quality of my life. I can choose to sit in perpetual sadness, immobilized by the gravity of my loss, or I can choose to rise from the pain and treasure the most precious gift I have - life itself.
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I feel like it's always about embracing what it is that you think is wrong with you. It's often times your greatest 'flaw' which actually forays into what is also your greatest strength.
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You're in the lap of the gods. If people go, they go, and if they don't.
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Libertarians know that a free country has nothing to fear from anyone coming in or going out - while a welfare state is scared to death of poor people coming in and rich people getting out.
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I had a monumental idea this morning, but I didn't like it.
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The idea of it becomes a little freaky if you're dealing with someone who has trouble differentiating between fantasy and reality, but that's a concern no matter what kind of movie you're dealing with.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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I've come to feel that if I can't make something happen in under an hour and a half, it's not going to happen in a compelling way in a three-hour play.
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That image is a couple different people's homes that I knew growing up.
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The dons of Oxford and Cambridge are too busy educating the young men to be able to teach them anything.
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My heroes and heroines are often unlikely people who are dragged into situations without meaning to become involved, or people with a past that has never quite left them. They are often isolated, introspective people, often confrontational or anarchic in some way, often damaged or secretly unhappy or incomplete.
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I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.
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I never had any question that my parents loved me. I had a real sense of self confidence.
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I still like to play the blues more than anything else.
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'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
