Leo Kottke Quotes
It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done.
Quotes to Explore
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I look forward to their convention and look forward to hearing the President talk about what he will do for the next four years. He hasn't done it up to this point.
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In Holy Cross, I came to like school, to like studying in a way I had never done before.
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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Bad company is like a nail driven into a post, which, after the first and second blow, may be drawn out with little difficulty; but being once driven up to the head, the pincers cannot take hold to draw it out, but which can only be done by the destruction of the wood.
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I want to do everything in the world that can be done.
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I've done fine in this business, but I've never made quite enough money to have a family or have many options.
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It takes leadership to improve safety. And I started off the movement in my time, but the person who has done more over the past 20 to 30 years and who has led it is Professor Sid Watkins.
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I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.
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A performance art piece is unprecedented. It is difficult to censor since it has a good possibility of never being done before.
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Psychiatrists don't solve anything from one day to the next.
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I've done teaching and things like that because if you're acting, you're becoming other human beings, and you need to have time to find who you are as well.
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Have I done more business-related things to help my career grow? Yeah. I took the business end more seriously, hooked up with a manager, got some help, because at a certain point, you get frustrated when you go do auditions, and people say you did a great job, and then you don't get he part.
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I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.
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No matter how senior you get in an organization, no matter how well you're perceived to be doing, your job is never done. Every day, you get up and the world is changing; your customers are expecting more from you. Your competitors are putting pressure on you by doing more and trying to beat you here and beat you there.
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Sometimes I feel like an impostor, and I have to remind myself, 'You are able to do this.' I look at the books on the shelf that have my name on them to remind myself I have done it before and, likely, I can do it again.
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Doris Lessing really doesn't care what the critics say. In fact, she orders her publishers not to send her the reviews and gets cross with them if they do because she doesn't want that in her head. She's going where she's going, and that's where she wants to go.
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Once you've done one style, you leave it for a while.
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I love dancing just because I've done it my whole life and it's definitely what I want to do. I feel like, I want to train with acting and do movies. Those two are my main priorities. I definitely want to be able to sing and model, too. I definitely love those, too.
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If what you did yesterday seems big, you haven't done anything today.
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To say that the cosmos was expanding is equally to say that its members were contracting. The ultimate centers of power, each at first coincident... themselves generated the cosmical space by their disengagement from each other.
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I have loads of issues with the way classical music is presented. It has been too reverential, too 'high art' - if you're not in the club, they're not going to let you join. It's like The Turin Shroud: don't touch it because it might fall apart.
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Everybody goes through a stage where you have it. And, all of a sudden, you don't have it anymore. You get older and the audience gets younger.
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It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done.
