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Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.
Leo Ornstein -
Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.
Leo Ornstein
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By the way, the point between rationality and what we would call the irrational is a very difficult point to establish. There's no specific line, as you know.
Leo Ornstein -
The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.
Leo Ornstein