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Of all the arts, music is really the most abstract.
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Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.
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By the way, the point between rationality and what we would call the irrational is a very difficult point to establish. There's no specific line, as you know.
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The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.