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You can write something that has continuity, but it makes happy endings all the more ridiculous.
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I am on sort of a diet in terms of the Internet. It's the sheer quantity. It's the Niagara of opinion, of information. It's not that I have any kind of compassion fatigue. I just insist on having a life.
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A war is like when it rains in New York and everybody crowds into doorways, ya know? And they all get chummy together. Perfect strangers. The only difference, of course, is in a war it's also raining on the other side of the street and the people who are chummy over there are trying to kill the people who are over here who are chums.
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Television is a weapon of mass distractrion.
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I love to play with language; make it do tricks, turn a word inside out to see if it's got a hidden meaning tucked away somewhere, or perhaps find that it's capable of an extra entendre or two. . . . Plotting is nothing I did, or do, naturally. It is the hardest part of the writing process. No matter how many times you plot a script successfully, the next one, representing new and uncharted territory, convinces you that you really don't know how to do it at all.
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The only way to avoid age discrimination in Hollywood is to die young.
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I write what I write and I honestly don't care if it gets on or not. I'm writing to see if I can find out some of what I think about any number of situations. I work it out in the writing.
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I think the greatest imagination we can exercise is one that imagines how someone else feels. Because you know how you feel, but so often we attribute our own feelings on to someone else.