Alber Elbaz Quotes
At Yves Saint Laurent, I felt like the son-in-law - like I was part of the family, but not quite. When I was fired, I felt like the widow.
Quotes to Explore
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Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
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Containment, as everyone will recall, was a rough plan for stopping the Communists any time they crossed a certain line dividing our half of the world from theirs.
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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Through the years of experience I have found that air offers less resistance than dirt.
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Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
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What really makes it fun for an actor is when the script is good.
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Cafe De Flore speaks of love, its joys, its pains and its dramas - to love and to lose. This story upset me, I was upside-down, in the depths of myself.
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The only ones who like Milton Berle are his mother - and the public.
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I made a very conscious decision to quit acting. I was on a series, and we were in the process of renegotiating. They had an idea of what they thought I was worth, and I had an idea that was quite different.
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What is a weed? A plant whose virtues have never been discovered.
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I use more makeup now then I did before. I didn't use to wear really that much, and I didn't know how to do makeup, but now I know how to do it a bit more. I can do eyes and makeup in general more. I do like my own lipstick as well.
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My father wouldn't let me take typing in childhood.
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I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
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It doesn't make much difference how the paint is put on as long as something has been said. Technique is just a means of arriving at a statement.
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There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.
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You can tell if there's magic in something. When you start it, you want to finish it and you want it to be perfect. If you're not inspired, and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived, and I don't like to write music that's contrived.
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If you don't know where you are going, you might wind up someplace else.
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I realised a little bit to my astonishment that I can give a lecture for a thousand people, and there will be this tumultuous applause, so, you know, I have the feeling well, it can't be all that bad.
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With everything I do, I strive for a balance of tone, where it's not just one thing.
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We have to move from the unbridled pursuit of self-gain at the expense of others to recovering appreciation for what we gain by caring and sharing with one another.
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There's a lot of people over time who have brought out all these funky records that everybody has started jumping on like a catch phrase... When Planet Rock came out, then you had all of the electro funk records.
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People had this image of the Jacksons as the perfect American family and I destroyed that image. But what people have to understand is writing that book was very healing for me.
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At Yves Saint Laurent, I felt like the son-in-law - like I was part of the family, but not quite. When I was fired, I felt like the widow.
