Andrew Keenan-Bolger Quotes
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I've been lucky to have grown up in the arts.
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I think, being an actor, part of it is also being a teacher. I think that's one of the most rewarding things you can do - pass on the knowledge you've learned from other teachers.
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No live performance can ever be perfect, and that's what keeps you on your toes - it pushes you to practice harder, show up for that 8 A.M. ballet class, and walk through the stage door every night just to have the chance to do it all again.
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I tried to live my life really openly and transparently right from the get-go. I think that probably resonated with people.
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When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'ideal' performance. Things that felt great in previews can feel forced three months in; jokes that got big laughs in the rehearsal room may suddenly fall flat in front of a paying audience.
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'Kris Kringle' is a holiday musical for a new generation - a gorgeous score paired with a heartwarming tale of family and forgiveness.
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I think one of the traps of theater - what makes it so amazing is that it's not able to be mass-produced, but it also makes it hard to get work seen by people because if you're a creator, you do a cabaret or something, and maybe 100 people will see it and then it ends the night that you close it.
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I have seen the movie 'Showgirls' over 25 times.
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Everyone knows how physically demanding 'Newsies' is in terms of the dance, but even the guys in the toughest tracks remark that the singing in this show is often the hardest part. The newsboys are teenagers, and Alan Menken wrote this music in the top of a guy's range.
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Live theater is an amorphous art, constantly shifting and evolving with every performance.
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Any show that has a completely gay ensemble has the very difficult task of trying to represent the community.
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I grew up in a time where there were no queer digital references.
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I think there's a weird stigma in the TV-film world that theater people can't be funny and understand subtlety, and I think that could not be more wrong.
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You see everyone's true colors in a rehearsal.
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My older sister Celia is an actress as well. She's a little bit older than me. So, in my formative years, she was always performing, and we would always go see her do things. And so, that just made me want to be... like her. Maybe if she was an Olympic swimmer, I would probably be an Olympic swimmer by now as well!
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Everybody keeps saying what a lucky coincidence that 'Newsies' is happening when it is, with things like Occupy Wall Street.
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As a kid, I was obsessed with Broadway cast recordings, and I would totally mimic and memorize every little choice that these actors made.
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I think it's really important, as an actor in this business, to have another creative outlet.
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People have not given children enough credit to understand the idea of death. But I really think they do.
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I know everyone claims that their cast is 'really close,' but I think the bond we share in 'Newsies' is unique. In the show, these boys risk everything in the name of brotherhood, and I feel that same way about the guys in my cast.
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I am in love with Los Angeles.
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I think anytime there's a big show on a network, people are also looking for what's the indie, stepchild version of this, the real DIY version?
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I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.
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Seeing other people perform inspires me. I couldn't be a good performer if just relied on my own talents. Seeing what other brave choices other actors are making gives me the strength to be bold in auditions and to approach roles in different kind of ways.