Alber Elbaz Quotes
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Fashion doesn't look good only on models; it can look good on different people of different ages and different body shapes.
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The worst thing that can happen is if you're stuck within a bubble and you think that is what life is all about. It's great to see other people and hear from people of different ages and opinions.
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If I wasn't a designer, I would love to be a doctor. That is my fantasy, my dream. A doctor will give you a tablet if you have a headache, and I will give you a dress, and we both make you feel good.
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My dream is to be a doctor. I'm almost working in a laboratory, because I'm trying new techniques, new directions and fabrics, new weaving.
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I'm not a plastic surgeon, and I cannot change the DNA of a person, but when I see a woman try on my clothes and she feels beautiful, I know I am doing my job.
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'Commercial' is not the word that has to be said only by CEOs. It has to be something that is maybe the essence of design, because design has some sort of art in it and creation, but it's also some object that you have to use. There is also this pragmatic end to it.
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If you take something out of the freezer, it's cold, but what happens when it melts? It's a cool party, a cool person, a cool collection. What does that mean? I'm more interested in things that are uncool, things that have a certain individuality, a certain soul, a certain longevity, emotion, fragility.
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I'm not a religious person in the regular sense, but in the Bible you're not allowed to steal, you're not allowed to lie and you're not allowed to feel you're above other people.
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I barely finish one pre-collection before I must start on another. Sales start, but I am already elsewhere creatively. The men's show is being prepared, but we also need to think about accessories, perfumes and other items. In sum, I never stop.
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I live many lives at once.
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A singer can quit once he or she has made ten great songs; a director can finish once he or she has made five amazing films; a writer just needs to write three great books.
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My father, who was a hair colourist, died when I was young, so my mother had to work very hard. But at the same time, I do believe that if you have everything, it is easy to make a dinner. When you only have flour and water and olives and potatoes, you have to be much more creative, and that's what my mother is all about.
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The problem with couture is not designers; it's what happens when the couturier will no longer be there.
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The nature of fashion is family.
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For me, Lancome was more than just a brand. There was something very nostalgic about the name, about the whole story.
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To be a fashion critic is easy because you just say, 'I love it, I hate it,' but life is more than love and hate.
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How do you stand out as a fashion ad campaign? By using people off the street; it does generate buzz.
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I am not interested in perfection, and neither are the women who wear my clothes.
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I adore women, and the one thing I want to do more than anything is to see a transformation of personality when someone puts on one of my dresses.
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I thought, 'It doesn't matter what that woman is wearing,' but then I realised actually it's our job as designers to make women smile; to bring them the chocolate without the calories.
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Fashion is not always about what's new, it's also about what's good. And I think if you need to see what's good, you have to be there.
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There is always a reason why, and I need to tell the stories.
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For me, the sketching of dresses was about fantasy and dreams. In my little room at home, I felt that I was somewhere else. In Paris, for instance.
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Women can dream at 9 in the morning and at 10 o'clock at night - it doesn't matter.