Alber Elbaz Quotes
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Many, many times I find that whatever is looking good on the screen doesn't always look or feel good on the body. So who do we design for - do we design for the screen, or do we design for women?
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I think that if you want to pass emotion, you have to write a letter. Emotions do not pass in SMS or in e-mail.
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Me, as a designer who is not exactly skinny, all I want is comfortable clothes.
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I never think people should do things for me. I think I should do things for others. That makes me more comfortable.
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When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.
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I hate bridges. I'm always very insecure on bridges.
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I am always trying to put myself inside: Every dress I do, I think, 'If I were a woman, would I wear it?'
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I like dresses for night; I like after-party more than party. I like the mystery; I like the dream, like fantasy dresses. I think, also, that you make women dream.
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Mine is a job that never ends, a function where it is almost impossible to set aside time to rest or take a breather.
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Run away from laziness; work hard. Touch intuition and listen to the heart, not marketing directors. Dream.
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Fashion doesn't look good only on models; it can look good on different people of different ages and different body shapes.
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I wanted to go out of fashion, to study medicine. I thought, you know, who needs fashion? How important is it if you wear a red dress and an orange jacket? It's not, really.
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Stay big in your work and small in your life.
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I'm not a plastic surgeon, and I cannot change the DNA of a person, but when I see a woman try on my clothes and she feels beautiful, I know I am doing my job.
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I love to see old women. I love wrinkles. I love gray hair.
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The problem with couture is not designers; it's what happens when the couturier will no longer be there.
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If you take something out of the freezer, it's cold, but what happens when it melts? It's a cool party, a cool person, a cool collection. What does that mean? I'm more interested in things that are uncool, things that have a certain individuality, a certain soul, a certain longevity, emotion, fragility.
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I used to hate L.A., but I met such a great group of people there that I fell in love with it.
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Our logo for Lanvin is a mother and a daughter. I've always said, 'It's not a lion, and it's not a horse. It's a mother and a daughter.' I find the logo very emotional.
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If I wasn't a designer, I would love to be a doctor. That is my fantasy, my dream. A doctor will give you a tablet if you have a headache, and I will give you a dress, and we both make you feel good.
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My dream is to be a doctor. I'm almost working in a laboratory, because I'm trying new techniques, new directions and fabrics, new weaving.
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When I'm traveling the world, I don't ever look anymore at the geography - just enough to catch galleries and paintings.
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In fashion, the time is so short, and even with pre-collection, there are not only dresses, shoes, bags, and furs but now raincoats and T-shirts. It's just an endless amount of work that we have to produce in no time.
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How do you stand out as a fashion ad campaign? By using people off the street; it does generate buzz.