Eddie Vedder (Edward Louis Severson III) Quotes
It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.
Quotes to Explore
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I don't really like to explain my songs.
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I would never write a memoir, because it would be too boring.
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Many of the songs on Undertow were written at the time Opiate came out.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I love writing songs.
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I will say that a lot of songs that I've written are from my own personal experiences which are special to me.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I write romance because I love to read romance.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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Love isn't an emotion or an instinct - it's an art.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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If you can write it, I can be it.
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I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I don't have many easy songs.
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I'm me on the mound. I like to show my emotion, be real aggressive and give everything I've got for one half inning. I don't have to act. What you see on the mound is what I am in real life.
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Keep your ears open, your eyes open, grab everything you can, react, and learn!
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Sometimes, what's not said is just as important to the writing as what is said. As a writer, we have our voices heard. I think that, at oftentimes, the ability to allow the dialogue to recede properly into the world of the film is also a really valid sort of way to be a writer, I think.
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If you ever hear yourself or anyone you care about starting to express the belief that a problem is permanent, it’s time to immediately shake that person loose. No matter what happens in your life, you’ve got to be able to believe, 'This, too, shall pass,' and that if you keep persisting, you’ll find a way.
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If you didn't sit with your head in the clouds so perpetually you wouldn't get so many shocks.
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It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.
