Eddie Vedder (Edward Louis Severson III) Quotes
It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.
Quotes to Explore
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I don't really like to explain my songs.
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I would never write a memoir, because it would be too boring.
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Many of the songs on Undertow were written at the time Opiate came out.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I love writing songs.
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I will say that a lot of songs that I've written are from my own personal experiences which are special to me.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I write romance because I love to read romance.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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Love isn't an emotion or an instinct - it's an art.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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If you can write it, I can be it.
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I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I don't have many easy songs.
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I respect the Stones but their songs are a pile of crap. As for U2, they don’t say a lot or seem like normal persons.
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I wore one on the first episode of season one [of Fuller House], and then I saw it, and I went back to my hairstylist, and I was like, "We are never using this again!" I know it was a good throwback for that first season, but I am 40, I cannot pull off a scrunchie anymore. Nobody should be wearing a scrunchie anymore. I feel angry. That is my tipping point.
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You were a terrible baby, do you know that? Bawling all the time, never sleeping. And one night you just wouldn't shut up, screaming like a dying pig. I walked over to your crib, I looked down at you. I wanted to strangle you. And you looked up at me and you stopped screaming. You smiled at me. Don't die so far from the sea.
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I guess I'm pretty much of a lone wolf. I don't say I don't like people at all, but, to tell you the truth, I only like it then if I have a chance to look deep into their hearts and their minds.
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It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.
