Aldis Hodge Quotes
I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer.
Quotes to Explore
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The whole atmosphere of the book, the tone of 'The Hobbit,' is of a kid's adventure story, told in the first person by Tolkien, who is introducing young people to the notion of Middle-earth. A lot of it is very light-hearted.
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Sometimes it was difficult to make friends and be social in school because I was always practicing while other kids were getting together and doing things. But it just made me closer to my family, and I realized that they would always be there no matter what.
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The gap in education in this country, the unfairness of the schools, is one of the great unfairness in this society.
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I really don't see a reason why you wouldn't want to have a relationship with Jesus Christ. I mean, not only was He the greatest human being to ever walk the earth, He's everything that I want to strive for. He's everything that anyone should ever want to strive for.
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Before I got into grad school, I used to work as a deck hand on these ferry boats in San Francisco, and they did day tours. It wasn't a bad job. I made decent money. But you were sitting down all day, tying up the boat, wiping it down. For some guys, that's a dream job, but for me it was kind of torture.
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'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.
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I'm always singing and dancing and getting up in people's faces.
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Fans can never accuse R. Kelly of doing the same thing; I keep mixing it up.
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Laura Bush has the face of my mother when my mother was young. The face, the body, the voice. The first time I saw on TV Laura Bush, I got frozen because it was as if my mother was not dead. 'Oh, Mama,' I said, 'Mama.'
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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French fries. I love them. Some people are chocolate and sweets people. I love French fries. That and caviar.
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Abstract anger is great for rhetorical carrying on. You can go on endlessly about the post office, but it doesn't mean you're mad at your mailman.
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It's still amazing, but when I was growing up, Harlem was the Mecca of black culture. I was so inspired by it, the aspirational feeling you'd get spending time there. Experiences that were really specific to that place.
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If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
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Establishing an equilibrium between the Islam of truth and Islam as an identity is one of the most difficult tasks of religious intellectuals.
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I describe myself as an environmentalist not because I'm marching in the street with placards but because I like to be in the woods by myself.
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It is much easier to show compassion to animals. They are never wicked.
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My parents are pretty good about keeping me humble. They brought me up good.
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When you are older, you realise that everything else is just nothing compared to painting and drawing.
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Much of the rest of the world has already learned some English. They pretty much understand the American way of doing things, because our culture has been ubiquitous and has been the 500-pound gorilla in the global economy. But the world is far more interrelated than ever before, and no one culture can thrive without the knowledge of how to function in other cultures.
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He doesn't belong to a race clever enough to split the atom but not clever enough to live at peace with itself.
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I love Feist. I love Francoise Hardy. She was a French singer-songwriter in the '60s who was pretty huge. I think I'm drawn to her sincerity. I love Fiona Apple, too - she's quirky and really honest in her lyrics.
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I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer.
