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I cannot live or write without music. It stimulates the normally dormant parts of my brain that come in handy when constructing fiction.
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When I found myself in the U.S., and the war was at full swing in Bosnia, I read for survival - it was a means of thought resuscitation.
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I do have a sense of displacement as constant instability - the uninterrupted existence of everything that I love and care about is not guaranteed at all. I wait for catastrophes.
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I long for, not a writer's retreat - I can write in any situation - but a reader's retreat.
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New York is the Hollywood of the publishing industry, complete with stars, starlets, suicidal publishers/producers, intrigues, and a lot of money.
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I did not intend to stay; I had no experience in the United States - I may have been here less than 24 hours - but I knew I would never get inside there. And 'there' not being America necessarily, but that harmonious mode of living that some people are lucky enough to have in this country.
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The trouble with calling a book a novel, well, it's not like I'm writing the same book all the time, but there is a continuity of my interests, so when I start writing a book, if I call it 'a novel,' it separates it from other books.
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In Bosnian, there's no distinction in literature between fiction and nonfiction; there's no word describing that.
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I like to blur the line between fact and fiction, but not to condescend to the reader by enmeshing her/him into some sort of a postmodern coop.
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When I came to America, I was already a writer, already published in Bosnia. I was planning to go back, but I had no choice but to stay here after the civil war, so I enrolled at Northwestern in a master's program and studied American literature.
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A particular piece of music attaches itself to the piece I'm writing, and there is nothing else I can listen to. Every day I return to the same space to write, the music providing both the walls and the pictures on the walls.
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When we're upset, our vocal cords tighten and we can't speak. And when I lie - well, I can't lie, because the same thing happens - everyone who knows me knows that when I start squeaking, I've started lying.
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I suppose I'm interested in sorrow, which is very different from depression or despair. Sorrow is continuous with the world; it allows for creativity.
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I'll take any life in which I can make choices and have agency, and America is not a bad place for all that.
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To me there's no difference between a book of stories and a novel - they're just slightly different shapes.
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I cannot stand that whole game of confession, that is: Here I have sinned, now I'm confessing my sins, and describing my path of sin and then in the act of confession I beg for your forgiveness and redemption.
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I read everything I could find in English - Twain, Henry James, Hemingway, really everything. And then after a while I started writing shorter pieces in English, and one of them got published in a literary magazine and that's how it got started. After that, graduate school didn't seem very important.
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I've been a Nick Cave fan since the early '80s when he was part of The Birthday Party thing singing Australian self-destructive rock band and I've always followed his work and loved it.
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I don't make notes for myself because I either lose them or they make no sense to me at all. I once found a piece of paper with the note: 'everything.' Apparently I made a note to myself not to forget everything!
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I actually didn't listen to the Beatles song 'Nowhere Man' when I was writing my book of the same name. What I listened to a lot was 'Abbey Road.' Its disjointedness and its readiness to confuse only to delight were inspiring to me.
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I wish I could avoid the people who have threatened me. My favorite threat is that I will be thrown in the River Miljacka, which is at most knee-deep, with my feet bound in cement.
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The privilege of a middle-class, stable, bourgeois life is that you can pretend that you are not complicated and project yourself as a solid, uncomplicated person, with refined life goals and achievements.
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I am a writer, which means I write stories, I write novels, and I would write poetry if I knew how to. I don't want to limit myself.
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I tend to wait for true stories to mature into fiction. Most of my fiction grew out of a long-germinating real-life situation.