R. Lee Ermey Quotes
The drill instructor must have total and complete control. Mindless obedience is what he's after.
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Quotes to Explore
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The Resistance is a moral certainty, not a poetic one. The true poet never uses words in order to punish someone. His judgment belongs to a creative order; it is not formulated as a prophetic scripture.
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I love being a part of country music. I love going out and... doing things for the first time for country music. I always enjoy that.
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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I love to look back, but I don't want my music to be nostalgic. I want it to have the same vibrancy that the music I love had when it came out. I'm trying to get that electricity.
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For any actor - not just talking about myself - but if you've been fortunate enough to work for a long period of time, there's going to be different choices you're going to make.
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For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
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There is no compromise when it comes to corruption. You have to fight it.
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It is wonderful to say that your days behind a school desk are over. It's just another phase in your life.
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Boys wear their hearts on their sleeves. Even when they're trying to pull one over on you they're so transparent. Like men.
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As far as I can remember, every dime I ever had went to something extravagant. I would rather spend more, buy fewer items and have them forever.
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Try as you will, you cannot annihilate that eternal relic of the human heart, love.
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I learned this early on in the variety business: You've got to give folks responsibility, you've got to trust them, and then you've got to check on them.
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For 'A Little Night Music,' I did try to get little bit more beefed up for that because I thought that would help me carry myself around the stage in that character.
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The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.
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I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
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Down the mine I dreamed of cricket; I bowled imaginery balls in the dark; I sent the stumps spinning and heard them rattling in the tunnels. No mishap was going to stop me from bowling in the real game, especially this one.
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I can relate to pushing yourself because you want to help and move culture toward justice.
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If you were to make little fishes talk, they would talk like whales.
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The moment I'm interested in, the moment I'm working toward in these stories, is when the familiar world seems strange.
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The chemistry that you get from living with your band and creating music and recording with your band translates to the stage.
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It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.
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The drill instructor must have total and complete control. Mindless obedience is what he's after.