Alessandro Michele Quotes
Quotes to Explore
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I was lucky enough to go home and raise our babies.
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Should the time come when the county family will be taken away, then the parish will feel for some time like a mouth from which a molar has been drawn - there will be a vacancy that will cause unrest and discomfort.
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I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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I was so opposed to the war in Vietnam that I initially refused President Nixon's urgings for me to go there.
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I had a moment where I was like, 'I'm so tired of waiting for other people to accept me.'
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Our duties and responsibilities as human beings must be shown to be so incontrovertible that even atheists must recognize them. There are ultimate taboos.
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The emotions of the game do not change.
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Good analysis is very useful when you want to convert a political decision into an investment. It can also go the other way and drive policy.
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A lot of time mistakes are very interesting - you look for the behaviour that's not the one you expect.
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My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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People can be inspired the way I've been inspired by music.
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It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life?
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One of the satisfactions of a genius is his will-power and obstinacy.
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In Japan, I focus mostly on sending messages through Twitter, trying to spread my minority way of thinking.
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I'm a big foodie. Hyderabadi cuisine is amazing, and the kind of mutton dishes available at some restaurants in the Old City is incredible.
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It's hard to mix with a crowd when you're walking down the hallway and everybody else is a foot shorter. I remember hanging out with my friends, like at the mall, and thinking people were staring at me and talking about me. It made me turn inside myself. I became more shy and quiet.
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Until 'Moonlight,' I had never seen one black man cook for another on screen. But I wanted the characters to be free of 'groundbreaking' or 'never before.' We were ascribed those things. They weren't the point.
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So I'm watchin' and I'm waitin' Hopin' for the best Even think I'll go to prayin' Every time I hear 'em sayin' That there's no way to delay That trouble comin' every day No way to delay That trouble comin' every day
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Drinking and smoking grass were a part of my life as far back as I can remember.
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I do think you need to understand a character's motivation and perspective.
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When a translation is very good, it is fascinating to see how the book changes and yet stays the same. I think 'Out Stealing Horses' sounds more American for Americans than it does in Norway, and still, it is all there, everything that I wrote. It's amazing.
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I hear a lot from women in Africa. And not just from dark-skinned women but from all women struggling because of insecurity. They thank me and tell me that I inspire them. And that makes me feel really, really proud.
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My life - it's a piece of work. And my work is a piece of life.
