Alethea Kontis Quotes
Every so often, I am thanked for being 'unapologetically me.' I treasure those moments, those people, and remember them every time I'm feeling timid.
Quotes to Explore
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The main thing I want to do is make people feel more connected and more active.
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If you want to do interesting software, you have to have a bunch of people do it, because the amount of software that one person can do isn't that interesting.
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I go to Malawi twice a year. It's where two of my children were adopted from, and I have a lot of projects there that I go and check up on and children who I look after. It's sort of a commitment that I've made to this country and the hundreds of thousands of children there who have been orphaned by AIDS.
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I hear odd tracks from my albums every now and again on the radio, or maybe a friend plays me something.
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You can talk about and think about Muslims as you want, but you can't stop Muslims from building a mosque. You can hate Muslims from the comfort of your house or publicly, but when that becomes stopping Muslims from building a mosque or worshipping, then we are crossing the line into something else.
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I've lived in New York for 40 years. I came right after college.
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If you are good at studies, and you want to play cricket, you may work harder than any other person, but you may not achieve it. So it's something you have to balance in life and be practical where you are good and then channelise your efforts in the right direction to be successful in life.
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Every season I try to top myself, and push it a little further.
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I know that John Adams has had a very hard time directing French ensembles.
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When you cross over on fandoms, people don't know what to do with themselves.
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I got sick when I was 19, and I'd been a really healthy 19-year-old, so I don't have a lot to compare it to. Does it feel like the pain after you give birth? I don't know.
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I've had loss in my life, and I like to think my mother's energy lives on in some faintly Buddhist way. I do find some comfort there.
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I did ballet and gymnastics, and then I started acting when I was eight - just doing amateur theater at a place called Oldham Theatre Workshop in my hometown.
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In times of crisis, the incumbent suffers. And the bigger the crisis, the greater the punishment inflicted on those in power unless they do something that makes a change.
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You don't want to get stuck with a record that you've done with someone that you feel obligated to put out - that's not really dope, just because you made an effort to get together and work.
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Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex.
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Self-esteem is made up primarily of two things: feeling lovable and feeling capable.
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You don't improvise with a Cameron Crowe script.
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The bird, the bee, the running child are all the same to the sliding glass door.
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With 'Smoke Signals,' the character was so much like me growing up. I lost my parents, and I wish I'd had an opportunity to find out where they were. So I was reflecting on how I grew up, that feeling of abandonment. That whole film was a reality that I always held back and kept to myself.
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I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.
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In any job you do, you're going to have off days.
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The centre of the tragedy, therefore, may be said with equal truth to lie in action issuing from character, or in character issuing in action.
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Every so often, I am thanked for being 'unapologetically me.' I treasure those moments, those people, and remember them every time I'm feeling timid.
