Alex Timbers Quotes
I worked on it [ Too Much Tuna] for a little bit downtown and it was a great experience. I couldn't believe how enthusiastic the audience was for it. It was just extraordinary. It felt like you were at a rock concert, which was just unusual for shows at Cherry Lane, which are usually intimate plays about big ideas, you know.
Quotes to Explore
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At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
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You just have to enjoy what you're doing. You just never know how people are going to receive it.
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I'm a Persian Jew, and we don't speak Hebrew.
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If elected, I would not be the mere president of a party - I would endeavor to act independent of party domination and should feel bound to administer the government untrammeled by party schemes.
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I was lucky that I started very young, since I had a very clear idea of what I wanted to do. But my father is very conservative, and he never considered fashion to be a real career but something I could pursue as a hobby. He wanted me to be a doctor, and at one point, I thought of becoming a plastic surgeon.
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If I start thinking, 'Is this movie going to open? Is this movie going to do well?' I'm not focusing on the job. The job is to make a good movie.
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I'll tell you what I miss most. What I would love to do, more than anything, is just anthologies. With an anthology you can tell any story and be in every division of television. We don't have any anthologies anymore, do we?
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When it comes to working out, I really don't like the gym. I go because I have to, but I'm usually not happy about it. I do what my trainer and coaches tell me to do, but I'm always anxious to get outside.
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I find it hard to focus looking forward. So I look backward.
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I do want to finish my education. I just don't think that Boston has a big enough market for what I want to do.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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Urban conservationists may feel entitled to be unconcerned about food production because they are not farmers. But they can't be let off so easily, for they are all farming by proxy.
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Versace designs have always been bootlegged. Now it's Versace bootlegging the bootleg for the bootleggers to bootleg the bootleg.
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Bullfights have so much color. Not just the matador but also the bull, the arena, and the public. It's all very festive.
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You were not wanted. You were, at best, tolerated. You had to be constantly on your guard, like an animal in a jungle full of beasts of prey. You experienced it all within the short distance of five miles from the gates of St. Peter's to Park Station in the city.
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We seem to think we have some control over this planet.
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I think the most rewarding part for me is kind of not knowing where the story's going next, and then finding out and being blown away by it.
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When I left the Giants in 2014, my comments were emotional, insensitive, and misguided, and I truly regret and apologize for my actions. I am committed to working hard to contributing to the success of the Giants.
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I always knew I could make it in baseball.
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Our prayers for others flow more easily than those for ourselves. This shows we are made to live by charity.
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I've always been interested in what happens in the studio.
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I love Osho. I don't know if you would call him a philosopher; I would just call him a really cool dude. Osho really changed my life. Because the way that he spoke about emotion and the male and female energies in the world and how people react to the world around them, it's so simple, yet it has such a depth.
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It's flattering if people think I'm attractive. If it helps, great, but it's not going to get in the way of me wanting to win. That's what I'm all about.
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I worked on it [ Too Much Tuna] for a little bit downtown and it was a great experience. I couldn't believe how enthusiastic the audience was for it. It was just extraordinary. It felt like you were at a rock concert, which was just unusual for shows at Cherry Lane, which are usually intimate plays about big ideas, you know.
