Alexa Hirschfeld Quotes
Quotes to Explore
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I love doing eyes - my signature look is a cat eye. I think it's so feminine, and it reminds me of old Hollywood.
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When the depths are upheld by the Holy Spirit, then the reaction is Christian.
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I do this thing at every party: I go to a party, I stand around for, like, 45 minutes, and then I turn to my wife and say, 'I think we should go home.' And then we leave, and then I wake up the next morning and say to my wife, 'We don't go out anymore.' It's a great trick.
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I once went to one of those parties where everyone throws their car keys into the middle of the room. I don't know who got my moped, but I drove that Peugeot for years.
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I loved London. In the 1970s... it was very exciting, really wild.
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I think as long as I have a creative outlet, I'm happy.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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It is from books that wise people derive consolation in the troubles of life.
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World-building is my favorite pastime, so with me, I'm always about reining myself in. I don't want to lose too much of the mystery by hammering every detail to death. I did fiddle with lots of maps for 'Glass Sword,' as the second installment sees Mare, Cal and company traveling throughout their country, and that's always fun for me.
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A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.
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I have a fascination with Flight 93. My emotions are mixed: awe, gratitude, fear, heartache, pride - even, in some ways, guilt.
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The last paragraph, in which you tell what the story is about, is almost always best left out.
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I remember when the palm trees were short and Tomorrowland was modern.
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I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the novel is a local thing.
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In the '70s I was in exile; every time I went back I wondered if they'd take my passport away.
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White folks hear the blues come out, but they don't know how it got there.
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All the characters on 'Girls' are growing and changing, which is how real people behave, especially when we're young, trying to figure out who we are, doing things that are the polar opposite of our characteristics.
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I get excited by being in the studio and could never get burnt out in there.
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People may have thought that we changed a lot. I don't think we came in with that intention. Certain things I can't stomach. But I tried to be as collegial as possible. When you sign that contract, you're tied to that opera house to try your best. But every different team will play with a different intensity.
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A lot of people think I was an overnight success, but I was an opening act for three or four years, and then I signed my contract with EMI. Then it kind of blew up overnight.
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I grew up in a refinery town in Texas, and we weren't fancy enough to have a McDonald's.
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Strange, is it not, my brothers, how often in America those great watchwords of human energy - 'Be strong!' 'Know thyself!' 'Hitch your wagon to a star!' - how often these die away into dim whispers when we face these seething millions of black men? And yet do they not belong to them? Are they not their heritage as well as yours?
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Lease terms don't fit start-up lives.
