Questlove (Ahmir Khalib Thompson) Quotes
Quotes to Explore
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I think the music I've created is quite odd, and people are going to start talking about that.
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It's a luxury to not have to just be performing with other people to have my music heard.
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As much as I don't want to admit it, my fans are the only ones that can hurt my feelings when they're not pleased with what I'm presenting. I want it to be perfect for them. I want them to have a different sense of pride in my music.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
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Music is my way out. I keep things locked up and never say anything. I guess in order to say something to one person, I have to sing it to a couple of thousand. It doesn't make for healthy relationships.
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With a lot of help from my high school teachers, I went to college and became a medical tech at a clinic outside Kansas City.
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I play the harmonium. I had learned to use the guitar for a bit before becoming a part of the music industry, but unfortunately didn't pursue it fully. I would love to learn to play the piano because it holds a unique connect for me in terms of rhythm.
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I love music; I come from a region of Kurdistan that is a base for music.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.
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I actually spend very little time listening to any new music.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I work on words quite separately to music. They're both ongoing, and I don't ever feel like I'm working in a cycle in that respect, because it's every day anyway, no matter what I'm doing. Then I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.
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Now, my father Matthias was not only eminent on account of is nobility, but had a higher commendation on account of his righteousness, and was in great reputation in Jerusalem, the greatest city we have.
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I guess my favorite artists are The White Stripes or Tom Waits. The more theatrical the music is, the more I get into it. I also like the quieter folk music, that kind of old-school rockabilly or country. I'm not really picky when it comes to music, as long as it's honest.
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Most of the music you hear on the radio today is developed for making money. It doesn't feel true or honest. You can feel it in the music.
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I was never really a Mod. I thought I was more of a beatnik with the brown corduroy jacket, blue jeans, etc. I loved the music Mods liked, and I loved the clothes, but I didn't have any money to spend on them.
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I want to be somebody, a person, first that people remember, but also, I want music that I release to still be around. I don't want it to just be cool for a second and be gone.
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My idea of hell is a girlfriend ringing up and saying, 'Let's go shopping and have cocktails.' I'd rather play cards.
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Well, actually, I manage a couple of stock portfolios or funds or whatever you want to call 'em, and I think I've done relatively well with them.
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'Too big to fail' is fine for restaurant chains. If Denny's fails, it's fine for this economy. You can always go down to the TGIFs. But that's not the same for large-scale investment companies.
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My first gig was at Radio City Music Hall when I was 13.
