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The year was 1882. The palace was the Luxembourg Palace: the ball, the Senat Bal, held at the beginning of autumn. It was still warm, and so the garden was used as well. I was the soprano. I was Lilliet Berne.
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My fascination with women's clothes began very early. My mother was a very fashionable woman. She also made her own clothes. She had these fashion magazines, and I would draw the women in them. My middle school art teacher suggested that I have a fashion drawing show.
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My mother's family has been in Maine for over 300 years on the same farm. They have a King George III deed.
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I'm not much of a Rick Moody fan, but I want to be a fan for the Rick Moody I thought might appear after his first two novels, 'Garden State' (1992) and 'The Ice Storm' (1994).
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It is expensive to live in hotels, even cheap ones - more expensive than renting.
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Marie Cornelie Falcon, who lost her voice while performing - singing the line 'Je suis pret' - 'I am ready.' How much more tragic can you get?
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When you're writing historical fiction, you have to think a little farther into the situation: what the average social interactions were, what was acceptable behavior. What did people think was fun, what did they find unhappy, and why?
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When I left the state of Maine for college, I met my first really rich friends, and I discovered summer could be a verb.
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One of the things that's really important in 'Queen of the Night' is how people communicate with their clothes.
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In the summer of 1866, as Leo Tolstoy prepared for his serialized novel 'War and Peace' to be published as a single volume, he wrote to illustrator Mikhail Bashilov, hoping to commission drawings for the new edition of the novel, which he referred to by its original title,1805.
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The best relatively contemporary portrayal of a courtesan that I've ever seen was probably in 'Children of Paradise,' a film that was made during the Nazi occupation of France, made in secret actually.
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The beauty of Maine is such that you can't really see it clearly while you live there. But now that I've moved away, with each return it all becomes almost hallucinatory: the dark blue water, the rocky coast with occasional flashes of white sand, the jasper stone beaches along the coast, the pine and fir forests somehow vivid in their stillness.
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Andrea Schulz became my editor in 2009.
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Historical fiction was not - and is not - meant to supplant literature from the period it describes. As a veteran of the Crimea, Tolstoy wrote 'War and Peace' to match his own internal sense of the truth of the Napoleonic wars, to dramatize what he felt literature from that period had failed to describe.
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I sat down to try to write 'Edinburgh,' an autobiographical novel, and that took five years to write and two years to sell.
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Acadia was founded in 1916 by Woodrow Wilson as the first Eastern national park, aided by rich men, often with middle initials, the 'rusticators,' as they were known then, the first of our wealthy out-of-state visitors.
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I said that I like to write on trains and that I wished Amtrak had residencies for writers.
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By the 1880s, English translations of both the French and the Russian editions were available, and Americans began to read 'War and Peace.'
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It took me a while to get back to 'The Queen of the Night.' I was angry with it as an idea because I felt like it had sort of ruined my life by taking so much attention away from 'Edinburgh.' So it essentially languished in a drawer until 2004, when I pulled it out, dusted it off, and thought, 'Oh, I actually really like this idea.'
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The day in 2011 that I went to the office of the city clerk in lower Manhattan with my partner Dustin to register for our domestic partnership was coincidentally also the first day same-sex partners were allowed to register for marriage in the state of New York.
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In some ways, in 'The Queen of the Night,' I'm writing about some of the experience that I had with 'Edinburgh' where I was entirely unable to speak about what had happened to me as a child, but I could read from the novel.
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As a young writer, I questioned the idea that I had to write fiction in a world where I could write my own ethnicity only and nothing else. 'Fach' to me was a little like that. As a biracial person, that's an inherently unstable identity.
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Lilliet Berne, La Generale, newly returned to Paris after a year spent away, the Falcon soprano whose voice was so delicate it was rumored she endangered it even by speaking, her silences as famous as her performances.
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Fate and history have a similar feeling. They are weird mirrors to each other.