LeRoy Neiman Quotes
Every time I started painting it was like a new experience, but they all came out the same.
Quotes to Explore
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I look at 'Death Proof' and realize I had too much time.
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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I came here to tell you the truth, the good, the bad and the ugly.
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I have a 60-acre farm in North Carolina, and I have a tractor and a farmhouse. As soon as I groom the land, I want to put cabins around and have a place where people can write and hang out. It'll be either that or an all-black nudist colony.
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It's all about sound. It's that simple. Wireless is wireless, and it's digital. Hopefully somewhere along the line somebody will add more ones to the zeros. When digital first started, I swear I could hear the gap between the ones and the zeros.
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In our Western culture, although death has come out of the closet, it is still not openly experienced or discussed. Allowing dying to be so intensely present enriches both the preciousness of each moment and our detachment from it.
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To insult someone we call him 'bestial. For deliberate cruelty and nature, 'human' might be the greater insult.
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I'm very physical. I love to work out; I'm very athletic. It's a great therapy, not only for my body, but for my mind.
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One of the things I took from my wartime experiences was that reality was a stage set... the comfortable day-to-day life, school, the home where one lives and all the rest of it... could be dismantled overnight.
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There are many cultural prejudices. For instance, even though fresh fish is a regional staple, Catalans don't like sashimi.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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My mum brought me up to think that personal happiness is more important than your family.
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I've served on the International Relations Committee.
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I used to be able to think. My brain's circuits were all connected, and I had spark, a quickness of mind that let me function well in the world.
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I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
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On the PGA Tour, guys finish in the top 10, make a ton of money and think they're great players. In my era, you had to win. We didn't settle for anything else.
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I felt like if I wasn't around, maybe my shot would be gone.
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There was a door to which I found no key: There was the veil through which I might not see.
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The billable hours is a classic case of restricted autonomy. I mean, you're working on - I mean, sometimes on these six-minute increments. So you're not focused on doing a good job. You're focused on hitting your numbers. It's one reason why lawyers typically are so unhappy. And I want a world of happy lawyers.
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When Gordon the Brown, in London in 1997, commissioned a great inquisition or survey of his new realm, the result was the so-called national asset register, which was immediately dubbed by the boomers of the UK Treasury 'the modern Domesday Book.'
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I think that music has an endless life.
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You have within you many strong and cruel enemies to overcome. You must know that there are still a thousand ties which you must break. No one can tell you what they are; only you can tell by looking at yourself and into your heart.
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The contract stuff will work itself out. If we keep winning, those kinds of things all work themselves out in time.
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Every time I started painting it was like a new experience, but they all came out the same.
