LeRoy Neiman Quotes
It has been difficult to hold onto many paintings but I have retained a few. Possibly the current favorite is titled 'Big Band' completed in 2005. It measures 13 feet x 9 feet. It has 18 nearly life size recognizable portraits of the biggest jazz stars that I knew and saw perform in the 1950s, '60s, '70s, '80s and includes Wynton Marsalis.
Quotes to Explore
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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The first function of a book review should be, I believe, to give some idea of the contents and character of the book.
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I have to stay calm, cool, and collected.
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I paint objects as I think them, not as I see them.
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You have to realize that up until about 1959, Africa was dominated by the colonial powers. And by the colonial powers of Europe having complete control over Africa, they projected Africa always in a negative light - jungles, savages, cannibals, nothing civilized.
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I've got a 12-year-old grandson who, when he was 3 years old, before he could say many other words, could name the different kinds of dinosaurs.
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A lot of children remember seeing cartoons, 'Pinocchio' or 'Bambi' or something that breaks their heart. I remember seeing 'The Blue Angel' and it breaking my heart. It was the first time I realised there was an adult world - that adults could damage each other or destroy each other emotionally.
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I like to feel that all my best photographs had strong personal visions and that a photograph that doesn't have a personal vision or doesn't communicate emotion fails.
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My mom didn't let me play video games growing up, so now I do. Gaming gives me a chance to just let go, blow somebody up and fight somebody from another dimension. It's all escapism.
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Sometimes you have to be okay with what you are to the world, where you are in the world, and make the most of it.
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I thought of myself as an outsider in a lot of ways as I was growing up. Not in a bad way; more as an observer. I often find myself thinking as an observer of science fiction rather than as a participant.
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I love a vintage look that's also a bit rock n' roll.
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Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
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Whoever has lost a fight in the UFC and hasn't wanted to fight that guy the next day shouldn't be in the sport.
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For the better part of two centuries, outsiders have been offering explanations that range from racist to learned-sounding - the supposed inferiority of blacks, the heritage of slavery, overpopulation - for why Haiti remains the poorest country in the Western Hemisphere.
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The best way to turn a woman's head is to tell her she has a beautiful profile.
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I've always felt that the traditional novel doesn't give you enough information about the narrator, and I think it's important to know the point of view from which these tales are told: the moral makeup of the teller.
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We are all the heroes and heroines of our own lives. Our love stories are amazingly romantic; our losses and betrayals and disappointments are gigantic in our own minds.
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Women and birds are able to see without turning their heads, and that is indeed a necessary provision for they are both surrounded by enemies.
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People want to see a movie that casts a mature woman across from a mature man.
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When I began singing, it was the first time I was happy in my life. As a baby, I would stop crying when I heard a great singer.
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Every day I grapple between 'I'm going to get married' and 'I'm going to spend the rest of my life alone with a poodle.'
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If we think about sexual life for a gender life, it seems to me that we have to allow for certain kinds of changes or certain kinds of ways of reconceptualizing ourselves.
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It has been difficult to hold onto many paintings but I have retained a few. Possibly the current favorite is titled 'Big Band' completed in 2005. It measures 13 feet x 9 feet. It has 18 nearly life size recognizable portraits of the biggest jazz stars that I knew and saw perform in the 1950s, '60s, '70s, '80s and includes Wynton Marsalis.
