Les Baxter Quotes
Quotes to Explore
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When you're in your early 20s your love life seems to explode every 20 minutes or so. By the time you've reached your thirties, it is every five or ten years.
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My big philosophy is: Try and work with good people, because the process is your life. That's going to be really, really hard. I'm glad I learned the lesson, 'Failure is OK.'
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About three months before a contest, I drink a lot of water. I start to drink a lot of water.
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We rely on editors of blogs or websites and television stations to supply us these images, and the filter is becoming very thin and very porous. The ratings race for TV and websites is incredibly fierce, and one of the ways of getting people to watch is through graphic violent images.
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I'm curvy.
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No one really knows who I am or where I came from in America, and there's something quite nice about that.
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When they tried me out as a host on TV, I found that I just couldn't be that gregarious person. I was stranger than that.
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You just make sure you don't screw it up. It's going to work as long as you don't mess it up. Hopefully you have plenty of those moments in a big comedy.
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American management thinks that they can just copy from Japan. But they don't know what to copy.
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I am sure it does not hurt that Mitt Romney is my dad. I'm sure it's opened a lot of doors for me. But I think I've been pretty effective once I've gotten through the door at doing a pretty good job.
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I think if a girl is easy to talk to then that's the first thing I look for. It's great when you meet a girl and three hours later you're like, 'Oh my gosh, we've been talking for three hours, what happened to the time?'
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You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.
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If you're being attacked by something on the outside, which I feel a lot being in show business, you just have to dial it back and breathe and know that you are protected.
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If I had different parents who were in it for the money, I might have a different perspective. But they really are artists; they intelligently approach each character and prepare in every sense of the word. I grew up in a world that had great discipline.
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I don't read my books, I write them. Once I've finished the many years it usually takes me to write them, I can't bear to read them, because I've spent too long with them already. I'm not advertising them very well, am I?
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Economic growth may one day turn out to be a curse rather than a good, and under no conditions can it either lead into freedom or constitute a proof for its existence.
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I actually had a buzz cut all the way to my junior year in college. I would just buzz my head with a one-guard all over, and then I started growing it out. When I had Tommy John, that was the last time it was buzzed. I've grown it ever since then.
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We heard later through the grapevine that we were being compared to the Furious 5, and because of that we were getting feedback that they were saying that we werent all that, that we were copying them... blah blah blah.
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Just because you started off one way don't mean the ending of the book has to be the way you started.
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I started out from a pretty modest background, so I always had a pretty good sense of money. I always had to work for my money, save my own money, I always bought my own stuff with my money... trying not to waste money unnecessarily.
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We remember the specter of sectarian violence -- al Qaeda's attacks on mosques and pilgrims, militias that carried out campaigns of intimidation and campaigns of assassination. And in the face of ancient divisions, you stood firm to help those Iraqis who put their faith in the future.
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I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.
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When I want 30 musicians in the orchestra, I get 30.
