Lesley Manville Quotes
I had left school at 16, gone to stage school - and, until I was 22, I hadn't really played anyone but myself. Then in 1979, I made a film with Mike Leigh called 'Grownups,' which went out on the BBC, and overnight this new career opened up.
Quotes to Explore
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I tested for a couple of pilots, but they said I was too tall.
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America tends to worship the modest talent because it doesn't put us in an uncomfortable position vis-a-vis the artist.
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I shouldn't say this, but I always love the sidekicks. I want to do a leading-lady role in a film - absolutely. But I find that a lot of times I get attracted to the sidekick role. They stand out a little more because they're quirkier, they're funnier, they're crazier.
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I think we know how to do Mars.
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I want 'The Lady' magazine to be restored to its traditional place in the pantheon of weekly magazines.
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I'm like a mechanic. If you break down and phone the AA, they'll come to you whether it's raining or snowing. That's what an actor should do.
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I was afraid I would see someone from my past who thought I was this big athlete, and then I end up being just normal.
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What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.
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Politics is largely a matter of heart.
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Bad things do happen; how I respond to them defines my character and the quality of my life. I can choose to sit in perpetual sadness, immobilized by the gravity of my loss, or I can choose to rise from the pain and treasure the most precious gift I have - life itself.
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Our relationship with Mexico in this regard is unique for us, and in many respects unique in the world.
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This applies to many film jobs, not just editing: half the job is doing the job, and the other half is finding ways to get along with people and tuning yourself in to the delicacy of the situation.
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You should always leave the party 10 minutes before you actually do.
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I have a 'Mailer-Breslin and the 51st State' poster, and a neon-pink sign of Raoul's in SoHo, one of my favorite restaurants.
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If you are not too long, I will wait here for you all my life.
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So if Arizona sees the federal government isn't assuming its responsibilities, it creates local laws. But migration and keeping security on the borders is not a local or state issue, it's a federal issue.
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I like cinema. I am very fond of it. But from time to time I feel like having some time on my own.
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It makes me forget that I'm not going to be a major star and lead female in films whether it was 20 years ago, 10 years ago, five or in the future.
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One of my favorites is one called 'Rory's Radio' that I wrote about my brother Jeff's best friend growing up - his name was Rory Dunigan. I dedicated my first record to my brother, who got killed in a car accident in 1999, and I really didn't have any songs on the first album about him, nothing on a personal note.
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I don’t know if you have had the same experience, but the snag I always come up against when I’m telling a story is this dashed difficult problem of where to begin it.
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I was a big fan of Jim Hall as well. I liked his comping style, his accompanying. And that he played, generally, four note chords, the top four strings of the guitar.
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I started to put on weight when I was about four and a half and it got really bad when I was around nine. I ballooned. I was about 110 pounds.
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A million years ago there had been no river here and in a million years to come there might be no river - but in a million years from now there would be, if not Man, at least a caring thing. And that was the secret of the universe, Enoch told himself - a thing that went on caring.
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I had left school at 16, gone to stage school - and, until I was 22, I hadn't really played anyone but myself. Then in 1979, I made a film with Mike Leigh called 'Grownups,' which went out on the BBC, and overnight this new career opened up.
