Leslie Fiedler Quotes
Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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One's past is what one is. It is the only way by which people should be judged.
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In bitter almond oil, like in a great number of other substances that previously had been counted among the 'aromatic compounds' on behalf of their strong smell, a derivative of benzene is present. The special properties of benzene and its derivatives are caused by the typical arrangement of their carbon atoms.
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I wonder if there'll ever be a time where you're not judged by your appearance. It seems that wherever you've got to, your appearance is always discussed. It's never said about men. We talk about a man's charisma, not his looks.
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Mr. Norrell is like a librarian trying to do magic... That's the story of my career, really. I stand next to good looking men and make them look better!
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I wish I had the billions of dollars that George Soros has that he has used to fund Democratic causes in the past.
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Nothing new here, except my marrying, which to me is a matter of profound wonder.
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If you really want to know what Middle-earth is based on, it's my wonder and delight in the earth as it is, particularly the natural earth.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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One of the things that's really, really present in 'Between the World and Me' is, I am in some ways outside of the African-American tradition.
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When historians of early America turned from the pursuit of past politics, they devised a category known in the academy as 'social and intellectual history.' In it, they stuffed nearly everything except politics on the assumption, which the anthropologists assured them was correct, that it would all fit together. Somehow it did not.
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A stereotype may be negative or positive, but even positive stereotypes present two problems: They are cliches, and they present a human being as far more simple and uniform than any human being actually is.
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We Germans should know that we're good at constructing cars, and we have a lot of good qualities. But we're not the funniest.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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The past is but the past of a beginning.
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I often wonder whether Negroes like myself who are pretty well known help out at all in breaking down barriers.
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Still, it is not perverse to wonder whether the spectacle of America, currently learning a lesson - one that conservatives should not have to learn on the job - about the limits of power to subdue an unruly world, has emboldened many enemies.
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I'm not too bothered about what category my music goes in and there's no point in limiting in who you can reach, but I want it to be respected.
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Not everything is for sale; not everything is about money.
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I'm obsessed with that show 'Call The Midwife'. Although I had to take a break at a certain point in my pregnancy because every episode is about having babies.
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Courage is the power of the mind to overcome fear.
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Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present.
