Alexander Ludwig Quotes
When I was doing a movie called 'The Seeker,' I was fortunate enough to be able to do a lot of my own stunts.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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When people say hello to me, I feel like maybe I know them from somewhere, because they say, like, 'Hi! How are you?' And I'm like, 'Oh, hi!' And then I realize, 'Oh, no, they just think they know me because they watched me in a movie.' Which is cool, but definitely not a normal thing.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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If you learn the craft, you can make a movie and get by with tricks.
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All through history, a nation or a civilization's enduring glory is articulated by its mega constructions - the pyramids, the lofty cathedrals of the Christian world.
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I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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The process of making a movie is what I love. I thrive on that. It's an exciting miracle, a mad adventure. I love being part of it.
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It's always weird when you see a movie, and there's no reason for someone to, like, jump on stage and be a singer, and then they just do that... But if it came organically, I would grab that mike and jump on stage for sure.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.
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'Holes' was my favorite book ever. So you know when you love a book and you hear it's being made into a movie and it makes you a little annoyed at first? But I would've loved to play the Shia LaBeouf role in that movie when I was younger. I just wanted to be the rebellious kid on the old digging camp.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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The journey of your first movie is not just beyond belief it can be truly beyond satire.
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Irvin Kershner, no matter what anyone says, has done some great work. 'Eyes of Laura Mars' is an incredible movie.
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I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
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Something magical happened when I turned 25 - I looked in the mirror and was like, 'You might not get carded for an R-rated movie anymore.' Like I didn't have a little stick figure anymore.
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My first job in acting was in a Scott Baio movie called 'I Love N.Y.' My role was Italian Girl. I sent my 8x10 to a casting agent in the booklet, 'The Ross Report,' which is where all the agents were listed before that little thing called the Internet. I read for this tiny part. I couldn't have been more excited to get it.
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To do that I try and keep myself in pretty good shape physically and I try to lead my life in such a way that I'll be able to be as strong at the end of the movie as I am in the beginning.
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I made a series of wrong decisions about moderately recent books, and I've sold the rights to studios for ridiculous amounts of money and the films have never been made. That's the saddest thing of all, because they're locked up and no one else can make them.
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When I was doing a movie called 'The Seeker,' I was fortunate enough to be able to do a lot of my own stunts.
