Leslie Nielsen Quotes
I really have to keep an eye on myself, because sometimes I think I might say something important.
Quotes to Explore
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Unsettling signs of al Qaeda's aims and skills in cyberspace have led some government experts to conclude that terrorists are at the threshold of using the Internet as a direct instrument of bloodshed.
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We talk about these legendary fighters, talk about how they had hundred-something fights, hundred-something victories... but when you look at the history books, I still beat more world champions than any fighter in history.
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I definitely want to work on a project with young designers, not just French but international.
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I drive a car, like an adult. Not brilliantly. I'm not great.
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The box office has become global. I think that factors in to the question of how to portray different ethnicities and cultures.
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There's no more to Holden Caulfield. Read the book again. It's all there. Holden Caulfield is only a frozen moment in time.
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I have written a lot about the fine arts, but I'd never written about the literary arts, and so on some level Dante really, you know, spoke to me, as new ground but also familiar ground.
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I'm very conscious of Miguel Cotto's career... I need to do my part on that night to have victory and create my own legacy in this sport of boxing.
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I know I'm never going to be as successful as my dad, but I get bored doing nothing. I couldn't go from vacation to vacation and have no motivation.
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I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.
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Dreams are today's answers to tomorrow's questions.
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An ounce of action is worth a ton of theory.
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I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.
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I like to relate to my kids as they are. I enjoy spending that time with them. I see that my girls are so completely different and different from me, too.
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I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
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I was always used to being centre stage - something that had its good and bad points.
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One afternoon, on my way to the campus - I was majoring in political science at Nairobi University - a photographer by the name of Peter Beard stopped me in the street and asked me if I'd ever been photographed.
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For a while, I became an atheist; now that I'm grown up, though, I'm not hard-edged enough to be an atheist. Even though I live with a flaming atheist, I love going to temple. I love all the rituals.
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Were there peace and justice in the Middle East, the Arabs would no more need their tinhorn dictators than they would their corpulent princes.
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Legal immigrants have been an engine of economic growth, innovation, and entrepreneurship on this continent for longer than we have been a nation.
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The more I got into presenting things to the world, the further it was taking me away from what I was, which was someone who just used to sit quietly at a piano and sing and play. It became very important to me not to lose sight of that.
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There's a rhythm to the legislative session and there are rhythms to legislative sessions. So I think that's very important to take into consideration when you are deciding what to do when.
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Anyway, when I finished the book, I handed it in, didn't want to read it again, but when it finally was in print I felt like OK, I have to read this. And yeah, I thought God, this is petty, this is silly, too emotional, too raw...and maybe it was then, but now it all seems that it's so much better because all the stuff that felt petty and silly now seems more relevant because Andy was so important.
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I really have to keep an eye on myself, because sometimes I think I might say something important.
